埃莉诺·哈迪·邦克 - 美国大都会艺术博物馆展品查阅

品名（中）	埃莉诺·哈迪·邦克
品名（英）	Eleanor Hardy Bunker
入馆年号	1893年，93.20
策展部门	美国之翼（The American Wing）
创作者	Dennis Miller Bunker【1861 至 1890】【美国人】
创作年份	公元 1890
创作地区
分类
尺寸	24 x 20 7/8 英寸 (61 x 53 厘米)
介绍（中）	这位受过法国训练的邦克最著名的作品是印象派油画，他也是一位出色的人物画家和肖像画家。这幅他妻子埃莉诺·哈迪·邦克（Eleanor Hardy Bunker）的优雅画作是在两人结婚后不久创作的，就在这位艺术家因心力衰竭而早逝的三个月前。邦克的朋友、建筑师史丹福·怀特（Stanford White）设计了引人注目的框架，揭示了审美时代的协作本质，在这个时代，画家和设计师经常在艺术创作中联合起来。邦克去世后不到一个月，怀特与雕塑家奥古斯特·圣高登斯（Augustus Saint Gaudens）和查尔斯·亚当斯·普拉特（Charles Adams Platt）一起，与美国艺术家协会（Society of American Artists）合作，为大都会博物馆购买了这幅肖像。三年后，鳏夫普拉特嫁给了埃莉诺·哈迪·邦克。
介绍（英）	Best known for his impressionist canvases, the French-trained Bunker also excelled as a figure painter and portraitist. This elegant painting of his wife, Eleanor Hardy Bunker, was produced soon after their marriage, just three months before the artist’s premature death from heart failure. Its striking frame design by Bunker’s friend, the architect Stanford White, reveals the collaborative nature of the Aesthetic age, in which painters and designers frequently joined forces in artistic production. Less than a month after Bunker’s death, White, along with the sculptor Augustus Saint-Gaudens and Charles Adams Platt, worked with the Society of American Artists—one of the leading progressive artists’ organizations of the period— to purchase this portrait for the Metropolitan Museum. Three years later, Platt, a widower, married Eleanor Hardy Bunker.