野蛮人 - 美国大都会艺术博物馆展品查阅

品名（中）	野蛮人
品名（英）	The Savage
入馆年号	1939年，39.65.51a, b
策展部门	美国之翼（The American Wing）
创作者	Frederic Remington【1861 至 1909】【美国人】
创作年份	公元 1908 - 公元 1916
创作地区
分类
尺寸	10 7/8 x 6 1/4 x 6 英寸 (27.6 x 15.9 x 15.2 厘米)
介绍（中）	雷明顿创作了《野蛮人》，版权所有于1908年，作为他四年前唯一的另一尊半身像《中士》（39.65.52a，b）的吊坠。两者的规模都缩小了，代表了20世纪初的刻板印象，而不是特定的个人。《野蛮人》以夸张的土著特征、挑衅的表情和裸露的牙齿，代表了雷明顿艺术中对土著美国人的一种常见概念。虽然他的一些西方类型仍然是标志性的，但其他类型暴露了有问题和令人不安的文化和种族偏见，他的标题选择进一步证明了这一点《野蛮人》只有一个演员阵容，雷明顿写到在蒂芙尼的橱窗里看到了这部电影；1908年的公司，似乎是在他有生之年生产的。大都会的例子，10号铸造，得到了雷明顿遗孀伊娃的授权，并于1916年5月记录在罗马青铜厂的账本中。
介绍（英）	Remington created "The Savage," copyrighted in 1908, as a pendant to his only other bust, "The Sergeant" (39.65.52a, b) of four years earlier. Both, miniaturized in scale, represent early- twentieth-century stereotypes rather than specific individuals. With exaggerated phenotypically Native features, a defiant expression, and bared teeth, "The Savage" represents a common conception of the Indigenous American in Remington’s art. While some of his Western types remain iconic, others lay bare problematic and discomforting cultural and racial biases, as further evidenced by his choice of title. Only one cast of "The Savage," which Remington wrote of seeing in the window of Tiffany & Company in 1908, appears to have been produced during his lifetime. The Metropolitan's example, cast number 10, was authorized by Remington's widow, Eva, and was recorded in the Roman Bronze Works ledger in May 1916.