婚礼帽子 - 美国大都会艺术博物馆展品查阅

品名（中）	婚礼帽子
品名（英）	Wedding bonnet
入馆年号	2009年，2009.300.1560
策展部门	服装研究所（Costume Institute）
创作者
创作年份	公元 1837
创作地区
分类
尺寸
介绍（中）	1837年11月，伊丽莎白·霍斯·拉塞尔在婚礼上佩戴，这是浪漫中期头饰的经典帽子形式。花朵和缎带装饰着这张充满活力的宽檐，迷人地勾勒出了这张脸，并呼应了这一时期齐踝全裙连衣裙宽大的翅膀状袖子的戏剧性。有时在同时代的著作中被称为维多利亚帽，这种特殊的形状适合在下午的公共场合佩戴。由于这一时期大多数幸存的帽子都是由丝绸或稻草制成的，因此使用"日常"罗纹织物棉作为外部覆盖物是一个惊喜，尤其是对于婚纱来说。因此，它是一个有价值的对象，不仅因为它内在的视觉优势，而且作为一份文件，它扩展了我们对那个时代可接受的服装和社会实践的理解 1837年是时尚界的关键一年，大袖子垮了，肩膀大大缩小了。在那之后，帽子也逐渐改变了形状，它们的活力让位于更端庄的帽子，帽子上有窄而紧密的帽檐，遮住了脸。
介绍（英）	Worn by Elizabeth Hawes Russell at her wedding in November, 1837, this is the classic bonnet form of mid-romantic period headwear. Adorned with flowers and ribbons, the exuberant broad brim attractively framed the face and and echoed the drama of the voluminous wing-like sleeves of the period's ankle-length, full-skirted dresses. Sometimes referred to in contemporaneous writings as a Victoria bonnet, this particular shape was appropriate for wearing in public in the afternoon. As most surviving bonnets from the period are fashioned from silk or straw, the use of "everyday" ribbed weave cotton as the exterior covering comes as a surprise, especially for wedding wear. As such, it is a valuable object not only for its intrinsic visual merits but also as a document that extends our understanding of acceptable sartorial and social practices of the period. 1837 was a pivotal year in fashion, when the large sleeves collapsed and the shoulder greatly decreased in size. Bonnets also gradually changed shape after that date, their exuberance giving way to more demure bonnets with narrow close-fitting brims that hid the face.