衬衫 - 美国大都会艺术博物馆展品查阅

品名（中）	衬衫
品名（英）	Blouse
入馆年号	2009年，2009.300.2843
策展部门	服装研究所（Costume Institute）
创作者
创作年份	公元 1851 - 公元 1899
创作地区
分类
尺寸
介绍（中）	这件衬衫是20世纪20年代杰西·富兰克林·特纳（Jessie Franklin Turner）设计的两件作品的直接灵感来源（见2009.300.336a、b和2009.300.1355），它是设计师如何利用布鲁克林博物馆（Brooklyn Museum）的材料来激发设计灵感的一个非常清晰和有据可查的例子。在她早期的设计生涯中，特纳经常与布鲁克林博物馆民族学馆长斯图尔特·库林合作，直到1929年，在博物馆寻找能激发设计灵感的材料。库林还与M.D.C.克劳福德合作，鼓励博物馆和工业之间建立互利关系，克劳福德有时会为此借出他个人收藏的物品，比如这件作品。特纳受到这件衬衫的启发，创作了以鸟为主题的连衣裙，这已成为她作品的标志性作品。克劳福德在1919年的《女装》和1941年的《时尚之道》中写到了这种互动，并在1946年的《同一个时尚世界》中展示了这件衬衫和用它制作的连衣裙的图纸。
介绍（英）	Used as direct inspiration for two Jessie Franklin Turner designs in this collection from the 1920s (see 2009.300.336a, b and 2009.300.1355), this blouse is a wonderfully clear and well-documented example of how designers used Brooklyn Museum material to inspire design. During her early design career, Turner often worked with Stewart Culin, the Brooklyn Museum's Curator of Ethnology until 1929, to find material at the museum that would spark design. Culin also partnered with M.D.C. Crawford to encourage a mutually beneficial relationship between museums and industry, and Crawford sometimes lent objects from his personal collection, such as this piece, to that end. Turner was inspired by this exact blouse to create dresses with the bird motif, which has become iconic of her work. Crawford wrote about this interaction in Women's Wear in 1919, The Ways of Fashion in 1941 and featured drawings of both the blouse and a version of the dress produced from it in One World of Fashion in 1946.