床帘边框 - 美国大都会艺术博物馆展品查阅

品名（中）	床帘边框
品名（英）	Bed curtain border
入馆年号	2009年，2009.300.3436
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者
创作年份	公元 1800 - 公元 1850
创作地区
分类	纺织品蕾丝（Textiles-Laces）
尺寸	70 英寸 (177.8 厘米)
介绍（中）	这件物品来自Natalia de Shabelsky（1841-1905）的收藏，她是一位俄罗斯贵族，被迫保留她认为正在消失的祖国民间艺术传统。她游历了整个大俄罗斯，收集了许多富农阶级纺织艺术的优秀范例。从19世纪70年代到1902年移居法国，沙贝尔斯基收集了大量刺绣精美的手工编织家用纺织品和装饰丰富、图案精致的节日服装。布鲁克林博物馆的藏品包括许多精美的例子，包括大部分服装。沙贝尔斯基的部分藏品也收藏在波士顿美术博物馆、克利夫兰美术馆和圣彼得堡俄罗斯民族志博物馆在俄罗斯文化中，Sirin、Alkonost和Gamayun是神话中的鸟，头和胸通常是女人的。以希腊神话中的塞壬为原型的塞壬，唱着天堂的歌，却把凡人引向死亡。警笛常常是弱者诱惑的隐喻。阿尔科诺派和加马雍派不像塞林派那样被认为是邪恶的。他们向凡人传递预言，并在宗教信仰中代表上帝的意志。这件作品中的生命之树主题是一个很好的例子，说明了生命之树和女神是如何融合为一种形式的。在这个例子中，主题既可以被视为处于出生位置的女神，也可以被视是一种有对称树枝的开花植物。
介绍（英）	This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. In Russian culture the Sirin, Alkonost, and Gamayun are mythical birds with the head and often breast of women. The Sirin, based on the Siren of Greek mythology, sings songs of the heavens, but leads mortal men to their death. The siren is often a metaphor for temptation of the weak. The Alkonost and Gamayun are not considered evil as the Sirin. They deliver prophecies to mortals and represent God's will in religious belief. The tree of life motif in this piece is an excellent example of how the tree of life and goddess merged into one form. In this example the motif could be viewed as both the goddess in the birth position and as a flowering plant with symmetrical branches.