毛巾边框 - 美国大都会艺术博物馆展品查阅

品名（中）	毛巾边框
品名（英）	Towel border
入馆年号	2009年，2009.300.3443
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者
创作年份	公元 1800 - 公元 1850
创作地区
分类	纺织品蕾丝（Textiles-Laces）
尺寸	15 x 9 1/2 英寸 (38.1 x 24.1 厘米)
介绍（中）	这件物品来自Natalia de Shabelsky（1841-1905）的收藏，她是一位俄罗斯贵族，被迫保留她认为正在消失的祖国民间艺术传统。她游历了整个大俄罗斯，收集了许多富农阶级纺织艺术的优秀范例。从19世纪70年代到1902年移居法国，沙贝尔斯基收集了大量刺绣精美的手工编织家用纺织品和装饰丰富、图案精致的节日服装。布鲁克林博物馆的藏品包括许多精美的例子，包括大部分服装。沙贝尔斯基的部分藏品也收藏在波士顿美术博物馆、克利夫兰美术馆和圣彼得堡俄罗斯民族志博物馆在19世纪的俄罗斯，纳粹党徽是与帝国鹰一起的纹章象征。在斯拉夫文化中，形状是太阳的表现，因其威严和赋予生命的品质而受到崇拜。骑手们举起双臂向太阳致敬，站在开花的植物上方，象征着农业的肥沃。
介绍（英）	This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. In 19th-century Russia the swastika was a heraldic symbol along with the imperial eagle. In Slavic cultures the shape is a manifestation of the sun, worshipped for its majesty and life-giving qualities. The riders have their arms raised in worship to the sun and stand above flowering plants, symbolizing agricultural fertility.