床帘边框 - 美国大都会艺术博物馆展品查阅

品名（中）	床帘边框
品名（英）	Bed curtain border
入馆年号	2009年，2009.300.3451
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者
创作年份	公元 1851 - 公元 1899
创作地区
分类	纺织品蕾丝（Textiles-Laces）
尺寸	26 x 75 英寸 (66 x 190.5 厘米)
介绍（中）	这件物品来自Natalia de Shabelsky（1841-1905）的收藏，她是一位俄罗斯贵族，被迫保留她认为正在消失的祖国民间艺术传统。她游历了整个大俄罗斯，收集了许多富农阶级纺织艺术的优秀范例。从19世纪70年代到1902年移居法国，沙贝尔斯基收集了大量刺绣精美的手工编织家用纺织品和装饰丰富、图案精致的节日服装。布鲁克林博物馆的藏品包括许多精美的例子，包括大部分服装。沙贝尔斯基的部分藏品也收藏在波士顿美术博物馆、克利夫兰美术馆和圣彼得堡俄罗斯民族志博物馆对女神的描绘在俄罗斯刺绣中很常见，传统上与生育有关。后来对女神的描绘非常程式化，就像这个例子中的植物或生命之树。一个较小的女儿或小女神经常伴随着伟大的女神刺绣，以代表生育能力。双头帝王鹰在历史上的许多文化中都很常见，最著名的是拜占庭。通过伊凡三世与拜占庭皇帝君士坦丁XI的侄女佐伊·帕里奥洛加斯娜（Zoe Palaeologina）的婚姻，纹章符号传播到了俄罗斯。双头代表君主的世俗和宗教主权，以及对东方和西方的主权。
介绍（英）	This object is from the collection of Natalia de Shabelsky (1841-1905), a Russian noblewoman compelled to preserve what she perceived as the vanishing folk art traditions of her native country. Traveling extensively throughout Great Russia, she collected many fine examples of textile art of the wealthy peasant class. From the 1870s until moving to France in 1902, Shabelsky amassed a large collection of intricately embroidered hand-woven household textiles and opulent festival garments with rich decoration and elaborate motifs. The Brooklyn Museum holdings include many fine examples including the majority of the garments. Portions of Shabelsky's collection are also housed at the Museum of Fine Arts, Boston, the Cleveland Art Museum, and the Russian Museum of Ethnography in St. Petersburg. Depictions of the goddess are common in Russian embroidery, traditionally associated with fertility. Later depictions of the goddess are very stylized, resembling a plant or tree-of life, as in this example. A smaller daughter or minor goddess often accompanies the great goddess in embroideries intended to represent reproductive fertility. The double-headed Imperial eagle is common to many cultures throughout history, most notably the Byzantium. Through Ivan III's marriage to Zoe Palaeologina, niece of Byzantine emperor Constantine XI, the heraldic symbol spread to Russia. The dual heads were meant represent the secular and religious sovereignty of the monarch, as well as sovereignty over the East and West.