晚礼服 - 美国大都会艺术博物馆展品查阅

品名（中）	晚礼服
品名（英）	Evening dress
入馆年号	2009年，2009.300.921a, b
策展部门	服装研究所（Costume Institute）
创作者
创作年份	公元 1850 - 公元 1855
创作地区
分类
尺寸
介绍（中）	这件柔和的格子是按照苏格兰格子呢设计的，由于维多利亚女王（1837-1901）在苏格兰阿伯丁郡的巴尔莫勒尔城堡兼职居住，苏格兰格子呢在 1850 年代开始流行。格子条纹与更柔和的素色条纹交替出现，特别关注纺织品的美感。 19世纪中叶的女性剪影由合身的紧身胸衣和宽大的全裙组成。圆锥形裙子在 1830 年代之间发展起来，当时帝国轮廓的高腰降低，裙子变得更加钟形，到 1860 年代后期，裙子的丰满度被拉到后面，喧嚣发展起来。这一时期的喇叭裙在整个过程中逐渐增加，并得到了多种方法的支持。最初，支撑来自多层衬裙，由于重量和不适，这些衬裙被由鲸须、手杖和金属等材料制成的渐变箍组成的裙底所取代。这一时期的时尚使纺织品脱颖而出，因为裙子的表面积很大，多余的装饰相对较少。
介绍（英）	This subdued plaid of this dress was designed after Scottish tartans which became popular in the 1850s due to Queen Victoria (1837-1901) taking part-time residence at Balmoral Castle in Aberdeenshire, Scotland. The plaid stripes alternating with more subdued plain stripes draw particular attention to the beauty of the textile. The female silhouette of the middle of the 19th century consisted of a fitted corseted bodice and wide full skirts. The conical skirts developed between the 1830s, when the high waist of the Empire silhouette was lowered and the skirts became more bell shaped, to the late 1860s, when the fullness of the skirts were pulled to the back and the bustle developed. The flared skirts of the period gradually increased in size throughout and were supported by a number of methods. Originally support came from multiple layers of petticoats which, due to weight and discomfort, were supplanted by underskirts comprised of graduated hoops made from materials such as baleen, cane and metal. The fashions during this time allowed the textiles to stand out because of the vast surface areas of the skirt and a relatively minimal amount of excess trim.