带盖花瓶（花瓶）（一对之一） - 美国大都会艺术博物馆展品查阅

品名（中）	带盖花瓶（花瓶）（一对之一）
品名（英）	Vase with cover (vase des âges) (one of a pair)
入馆年号	1886年，86.7.1a, b
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Sèvres Manufactory【1740 至现在】【法国人】
创作年份	公元 1788
创作地区
分类	陶瓷-瓷器（Ceramics-Porcelain）
尺寸	高 (with cover): 19 1/2 英寸 (49.5 厘米)
介绍（中）	博物馆收藏的两个花瓶是塞夫尔瓷器收藏中最重要的作品之一。这两个花瓶都是第一个或最大的花瓶，高19-1/2英寸。这个模型有三种尺寸，作为装饰把手的半身像类型因尺寸而异，第一种尺寸的半身像上有留胡子的男人的半身像。博物馆的两个花瓶都装饰着深蓝色（beau bleu）地面，前保护区有一个精心制作的人物场景（mignature），后保护区描绘了大理石顶部花瓶中的大型插花。这两个花瓶装饰着相同的镀金图案，主要由月桂叶花环和细长的卷轴组成，卷轴环绕着颈部，构成椭圆形的保护区。每个花瓶上都有查尔斯·尼古拉斯·多丁（活跃于1754-1803年）的画家标记和亨利·马丁·普雷沃斯特（活跃于1777-97年）的镀金师标记。这些花瓶似乎进一步联系在一起，因为它们的主要储备不仅来源于让-米歇尔·莫劳（1741-1814）之后的版画，也被称为Moreau le jeune，而且因为这些版画是作为莫罗的《第二套房》（Seconde Suite d‘Estamptes）的一部分出版的，为《模式与服装史》服务。然而，底座下侧的日期字母表明百里香的制作时间相隔六年。一个花瓶（86.7.2a，b）标有1782年的日期字母"ee"，而另一个（86.7.1a，b。
介绍（英）	Two vases des âges in the Museum's collection are among the most significant pieces of Sèvres porcelain in a large and distinguished collection. Both vases represent the first or largest size of the vase des âges, measuring 19-1/2 inches high. This model was produced in three sizes, and the type of busts that serve as decorative handles varied according to size, with busts of bearded men found on examples of the first size. Both of the Museum's vases are decorated with a dark blue (beau bleu) ground, an elaborate figural scene (mignature) on the front reserve, and a back reserve depicting a large floral arrangement in a vase on a marble top. The two vases are decorated with identical patterns of gilding, composed predominantly of garlands of laurel leaves and elongated scrolls that encircle the neck and frame the oval reserves. Each vase bears the painter's mark of Charles-Nicolas Dodin (active at Sèvres 1754–1803) and the gilder's mark of Henri-Martin Prévost (active at Sèvres 1757–97). The vases appear to be further linked by the fact that not only is the primary reserve of each derived from a print after Jean-Michel Moreau (1741–1814), known as Moreau le jeune, but also because the prints in question were published as part of Moreau's Seconde Suite d'Estamptes, pour servir à l'Histoire des Modes et du Costume. However, the date-letters on the undersides of the bases indicate that thye were made six years apart. One vase (86.7.2a, b) is marked with the date letters 'ee' for the year 1782, while the other (86.7.1a, b) is marked with two 'll's, the date-letters for 1788.