丘比特和普赛克的婚礼 - 美国大都会艺术博物馆展品查阅

品名（中）	丘比特和普赛克的婚礼
品名（英）	The Wedding Feast of Cupid and Psyche
入馆年号	1904年，04.6.7
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Pierre Reymond【1513 至 1590】
创作年份	公元 1565 - 公元 1575
创作地区
分类	搪瓷（Enamels）
尺寸	Diameter: 12 1/8 英寸 (30.8 厘米)
介绍（中）	这个盘子的主题是拉丁作家卢修斯·阿普里乌斯（出生于公元125年）的《金驴记》第五卷中关于丘比特和普赛克的故事中的一集。文艺复兴时期的艺术家通常将长着翅膀的爱神丘比特描绘成婴儿或青年，但在这个盘子上的场景中，孩子丘比特不协调地站在他的成年新娘的膝盖旁，新娘与其他神和女神坐在一张长桌旁，长桌上由长着翅膀的时间化身主持。与《诺亚献祭》一样，《丘比特与普赛克的婚礼盛宴》也是根据文艺复兴时期意大利艺术家拉斐尔的原创作品创作的。这一场景是罗马法尔内西纳别墅（Villa Farnesina）的Sala de Psiche天花板上一系列壁画的一部分，约1518年由拉斐尔的两位助手Giulio Romano（1499–1564）和Giovanni Francesco Penni（1496–1528）根据拉斐尔的设计绘制。壁画的变体复制品是由模具大师制作的，他是一位活跃于1532年左右的匿名意大利雕刻师。出于某种原因，雕刻师用幼年的丘比特代替了壁画中英俊的年轻人。雷蒙德的盘子是雕刻品的忠实复制品。围绕着盘子边缘嬉戏的神奇人物也起源于意大利，它们最终来源于古老的罗马墙壁装饰这个盘子是博物馆收藏的一对带有相同纹章的盘子之一。另一块图版（04.6.8）显示了Psyche的厕所，日期为1570年。
介绍（英）	The subject of this plate is an episode in the tale of Cupid and Psyche from Book V of The Golden Ass by the Latin author Lucius Apuleius (born 125 A.D.). The winged god of love, Cupid, is customarily depicted by Renaissance artists as either an infant or a youth, but in the scene on this plate, the child Cupid incongruously stands at the knee of his adult bride who is seated with other gods and goddesses at a long table presided over by winged personifications of the hours. Like the Sacrifice of Noah, the Wedding Feast of Cupid and Psyche is based on an original composition by the High Renaissance Italian artist Raphael. The scene appears as part of a cycle of frescoes on the ceiling of the Sala de Psiche at the Villa Farnesina in Rome, painted ca. 1518 by two of Raphael's assistants, Giulio Romano (1499–1564) abd Giovanni Francesco Penni (1496–1528), from designs by Raphael. A variant copy of the fresco was made by the Master of the Die, an anonymous Italian engraver active about 1532. For some reason, the engraver substituted the infant cupid for the handsome youth in the fresco. Reymond's dish is a faithful copy of the engraving. The fantastic figures that cavort around the rim of the plate are also Italian in origin, and they ultimately derive from antique Roman wall decoration. This plate is one of a pair in the Museum's collection with the same coat of arms. The other plate (04.6.8) illustrates the Toilet of Psyche and is dated 1570.