雕塑组与死亡基督的哀歌 - 美国大都会艺术博物馆展品查阅

品名（中）	雕塑组与死亡基督的哀歌
品名（英）	Sculptural group with The Lamentation Over the Dead Christ
入馆年号	1904年，04.26a–h
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者
创作年份	公元 1487
创作地区
分类	陶瓷陶器（Ceramics-Pottery）
尺寸	整体: 29 1/2 x 64 x 12英寸 (74.9 x 162.6 x 30.5厘米); (a) confirmed: 9 1/8 × 28 5/8 × 6 3/4 英寸, 30.3 磅 (23.2 × 72.7 × 17.1 厘米, 13.7 kg); (b) confirmed: 27 3/4 英寸, 54.1 磅 (70.5 厘米, 24.5 kg); (c) confirmed: 28 5/8 英寸, 31.9 磅 (72.7 厘米, 14.4 kg); (d) confirmed: 29 1/4 英寸, 33.9 磅 (74.3 厘米, 15.4 kg); (e) confirmed: 27 1/2 英寸, 32.9 磅 (69.9 厘米, 14.9 kg); (f) confirmed: 28 5/8 英寸, 36 磅 (72.7 厘米, 16.4 kg); (g) confirmed: 8 5/8 英寸 (21.9 厘米) (h) confirmed: 7 7/8 英寸 (20 厘米)
介绍（中）	这件作品是文艺复兴时期最大，最壮观的雕塑作品。站立的人物在岩石黄色的泥土和绿草的景观下高浮雕。这个场景被认为是一幅祭坛画，描绘了基督的身体从十字架上取下来后悲伤和反思的时刻。它使艺术家 - 一位技艺精湛的陶艺家 - 探索他的媒介的表现潜力。尽管这件作品的野心超过了该时期的许多陶器，但它是用传统的maiolica技术制成的。因此，由于颜料的化学性质，调色板受到限制。哀悼者服装上的图案与当代欧洲时尚有关，但也让人想起本次展览中许多物品上充满活力的西班牙风格装饰品。
介绍（英）	This work is the largest and most spectacular surviving example of sculptural maiolica from the Renaissance. The standing figures are set in high relief against a landscape of rocky yellow earth and green grass. Conceived as an altarpiece, the scene depicts the moment of grief and reflection after Christ’s body is taken down from the cross. It allowed the artist—a highly skilled potter—to explore the expressive potential of his medium. Although this work surpasses in ambition many earthenware vessels from the period, it was made with traditional maiolica techniques. Therefore, the color palette is limited due to the chemical properties of the pigments. The patterns on the mourners’ garments are related to contemporary European fashion but also recall the energetic Spanish-influenced ornament found on many objects in this exhibition.