扶手椅 - 美国大都会艺术博物馆展品查阅

品名（中）	扶手椅
品名（英）	Armchair
入馆年号	1907年，07.225.42
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	René Cresson【1700 至 1800】【法国人】
创作年份	公元 1735 - 公元 1740
创作地区
分类	木工家具（Woodwork-Furniture）
尺寸	整体: 42 1/2 × 29 1/2 × 25 5/8 英寸 (108 × 74.9 × 65.1 厘米)
介绍（中）	这把椅子在法语中被称为fauteuil à la Reine et à chassis。这个名字的第一部分指的是它是一把平靠背的扶手椅（而不是凹背）。第二部分是指内饰，它不是钉在框架上，而是连接到可拆卸的座椅、靠背和臂垫上。这种做法是在十八世纪初引入的，允许根据季节或反映新时尚轻松更换座椅套。虽然这把扶手椅没有签名，但基于胡桃木框架的旺盛洛可可装饰，它归因于菜单管理员或细木工勒内·克雷松（René Cresson），也被称为克雷松·拉伊内（老），他于 1738 年成为大师。他是十八世纪一个成功的椅子制造商家族的成员。羊毛和丝绸内饰板是在博韦制表厂编织的。该工作室不仅专门生产由Jean I Berain，Jean-Baptiste Oudry，François Boucher等艺术家设计编织的装饰挂毯帷幔，而且还为座椅家具生产配套的封面，这些家具在十八世纪越来越流行。椅背上的鸭子出现在艺术家Oudry或他的工作室的绘画中。
介绍（英）	This chair is known in French as a fauteuil à la Reine et à chassis. The first part of this name refers to the fact that it is an armchair with a flat back (as opposed to a concave back). The second part refers to the upholstery which is not nailed into the frame but attached to the removable seat, back, and arm pads. This practice was introduced early during the eighteenth century and allowed for an easy change of seat covers according to the seasons or to reflect new fashions. Although this armchair is not signed, based on the exuberant rocaille decoration of the walnut frame, it is attributed to the menuisier or joiner René Cresson, also known as Cresson l’ainé (the elder) who became a master in 1738. He was a member of a successful family of eighteenth-century chair makers by that name. The wool and silk upholstery panels were woven at the Beauvais Manufactory. This workshop not only specialized in sets of decorative tapestry hangings woven after designs by Jean I Berain, Jean-Baptiste Oudry, François Boucher, among other artists, but also produced matching covers for seat furniture which came increasingly into fashion during the eighteenth century. The ducks on the chair’s back are found in drawings attributed to the artist Oudry or his workshop.