皮埃尔·皮维·德·夏凡纳 - 美国大都会艺术博物馆展品查阅

品名（中）	皮埃尔·皮维·德·夏凡纳
品名（英）	Pierre Puvis de Chavannes
入馆年号	1911年，11.173.8
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Auguste Rodin【1840 至 1917】【法国人】
创作年份	公元 1885 - 公元 1915
创作地区
分类	雕塑青铜（Sculpture-Bronze）
尺寸	整体 (wt. confirmed): 21 × 20 × 12 1/2 英寸, 44.2 磅 (53.3 × 50.8 × 31.8 厘米, 20 kg)
介绍（中）	罗丹既没有以同样的方式选择男保姆和女保姆，也没有以同样艺术的方式接近他们。在大多数情况下，他选择男性拍摄对象是因为他们的成就和性格，而选择女性拍摄对象是为了他们的美丽或性感。在使巴黎成为十九世纪下半叶伟大的艺术创造力中心的众多画家中，罗丹最尊敬的两位是尤金·卡里埃和皮埃尔·普维斯·德·夏万内斯事实证明，在肖像画方面，普维斯的难度不亚于罗丹的其他一些朋友。事实上，这位画家对罗丹于1880年在法国美术部的委托下制作的第一尊裸露胸部的半身像感到非常不安，而他对穿衣服的版本也不太满意。多年后，罗丹会说："Puvis de Chavannes不喜欢我的半身像……他认为我讽刺了他。但我确信，我在雕塑中表达了我对他的所有热情和崇敬。"
介绍（英）	Rodin neither selected his male and female sitters in the same way, nor approached them in the same way artistically. For the most part, he chose male subjects for their achievement and character, his female sitters for their beauty or sensuality. Of the many painters who made Paris the great center of artistic creativity that it was in the second half of the nineteenth century, the two whom Rodin most respected were Eugène Carrière and Pierre Puvis de Chavannes. In the matter of portraiture, Puvis proved no less difficult than some of Rodin's other friends. The painter was, in fact, very upset with the first, bare-chested bust that Rodin modeled in 1880, at the commission of the French Ministry of Fine Arts, and he was less than happy with the clothed version. Years later Rodin would say "Puvis de Chavannes did not like my bust of him…He thought that I had caricatured him. And yet I am certain that I have expressed in my sculpture all the enthusiasm and veneration that I felt for him."