圣地 - 美国大都会艺术博物馆展品查阅

品名（中）	圣地
品名（英）	Shrine
入馆年号	1917年，17.190.823
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Matthias Walbaum【1554 至 1632】【德国人】
创作年份	公元 1598 - 公元 1600
创作地区
分类	组合金属制品银（Metalwork-Silver In Combination）
尺寸	整体 (confirmed): 16 15/16 × 7 1/4 × 4 1/8 英寸 (43 × 18.4 × 10.5 厘米)
介绍（中）	这幅微型三联画展示了多种材料和技术，旨在激发其所有者（也许是特伦特王子主教马德鲁佐红衣主教之一）的私人奉献。贵金属窗饰应用于昂贵的乌木，其铰链木门可吸引搬运。它们不是通向一个小哥特式教堂，而是通往一个幻觉的夜间景观，忙于崇拜圣婴的崇拜者。神社顶部是一个探访场景，上面有圣安妮和伊丽莎白的雕像以及一个宣布的天使。门打开，进入安东·莫扎特用水粉画的微型三联画，耶稣诞生在中心，演示文稿在右翼，割礼在左翼。一幅描绘飞往埃及的小面板形成了predella。在神龛的茎上，一个穿着银色的基督背着他的十字架去髑髅地;在下面，他倒下的身影挂在母亲的怀里，装着圣母怜子图。在基地的四个侧面，福音传教士通过他们的属性来识别，记录了上图的事件。两位艺术家签署了这次光荣的合作;沃尔鲍姆作为奥格斯堡最富有的金匠之一，可能是两者中更自吹自擂的。沃尔鲍姆和莫扎特至少合作了另一幅惊人的相似微型三联画。
介绍（英）	A splendid showcase of multiple materials and techniques, this miniature triptych was designed to inspire the private devotions of its owner (perhaps one of the Cardinals Madruzzo, successive Prince-Bishops of Trent). With precious metal tracery applied to expensive ebony, its hinged wooden doors invite handling. They lead not into a tiny Gothic chapel but onto an illusionistic nighttime landscape, busy with worshippers adoring the Christ Child. Atop the shrine is a Visitation scene with figures of Saints Anne and Elizabeth and an announcing angel. The doors open into a miniature triptych painted in gouache by Anton Mozart, with the Nativity at the center, the Presentation on the right wing, and the Circumcision on the left. A tiny panel illustrating the Flight into Egypt forms the predella. On the stem of the shrine a Christ in silver bears his cross to Calvary; beneath, his collapsed figure hangs from his mother's arms in a Pietà. On the four sides of the base, the Evangelists, identified by their attributes, record the events pictured above. Both artists signed this glorious collaboration; Walbaum, as one of wealthy Augsburg’s most renowned goldsmiths, would probably have been the more vaunted of the two. Walbaum and Mozart worked together on at least one other, strikingly similar, miniature triptych.