看 - 美国大都会艺术博物馆展品查阅

品名（中）	看
品名（英）	Watch
入馆年号	1917年，17.190.1559
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Nicolas Gribelin (the Younger?)【1637 至 1719】【法国人】
创作年份	公元 1645 - 公元 1685
创作地区
分类	钟表业（Horology）
尺寸	整体: 2 3/4 × 2 3/8 英寸 (7 × 6 厘米)
介绍（中）	机芯的背板署有Gribelin AParis，可能是尼古拉斯·格里贝林（Nicolas Gribelin）的，他是活跃在七十年代布卢瓦的一个钟表匠大家庭的成员。据记载，他早在 1674 年就在巴黎为国王路易十四（1638-1715 年）的兄弟奥尔良公爵菲利普（1640-1701 年）工作。随着1675年摆轮游丝的发明，一些制表师试图单独使用摆轮来调节主发条，取消了机芯。作为计时员，像这种没有机芯的机芯并不是很成功，但银色公鸡的蕾丝装饰和用于为主发条上链的精致钢制可以因其美学品质和实用性而备受推崇。与大多数 17 世纪的手表一样，这款手表用钥匙从机芯背面上链; 虽然布卢瓦的珐琅绘画在法国国王的叔叔奥尔良公爵加斯顿（1608-1660）的特殊保护下蓬勃发展，但巴黎也是一个重要的生产中心。这款手表的表壳可能是一位不知名的巴黎珐琅师的作品，他将法国艺术家塞巴斯蒂安·波登（Sebastian Bourdon，1616-1671 年）的一幅现已失传的描绘安东尼和克利奥帕特拉的画作改编为封面上的微型场景。表壳内部的部分搪瓷景观来自另一位法国艺术家洛朗·德拉海尔（Laurent de La Hyre，1606-1656 年）的版画。
介绍（英）	The back plate of the movement is signed Gribelin AParis, probably for Nicolas Gribelin, a member of a large family of clockmakers active in seventeeth-century Blois. He is recorded working in Paris as early as 1674 for Philippe, duc d'Orléans (1640–1701), brother of King Louis XIV (1638–1715). With the invention of the balance spring in 1675, a few watchmakers attempted to use the balance alone for regulating the mainspring, doing away with the fusee. As timekeepers, movements such as this one that lack a fusee were not very successful, but the lacelike ornament of the silver cock and the delicate steelwork for winding the mainspring can be prized as much for their aesthetic qualities as for their usefulness. Like most seventeenth-century watches, this one is wound from the back of the movement with a key; thus the display of ornamental metalwork on the back plate of the watch was often as impressive as the dial. While enamel painting in Blois flourished under the special protection of the French king's uncle, Gaston, duc d'Orléans (1608–1660), Paris, too, was an important center of production. The case of this watch was probably the work of an unknown Parisian enameler who adapted a now-lost painting depicting Anthony and Cleopatra by the French artist Sebastian Bourdon (1616–1671) for the miniature scene on the cover. Part of the landscape enameled on the interior of the case comes from a print by another French artist, Laurent de La Hyre (1606–1656).