看 - 美国大都会艺术博物馆展品查阅

品名（中）	看
品名（英）	Watch
入馆年号	1917年，17.190.1567
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Christian Gottlieb Stiehl【1708 至 1792】【德国人】
创作年份	公元 1765 - 公元 1785
创作地区
分类	钟表业（Horology）
尺寸	Diameter: 1 3/4 英寸 (4.4 厘米)
介绍（中）	这款表壳展示了一种将硬石镶嵌在黄金中的技术，通常与德累斯顿的约翰·克里斯蒂安·纽伯（Johann Christian Neuber，1736-1808 年）有关，尽管它的灵感可能来自几年前在巴黎制造的珐琅金表壳。斯蒂尔曾任强者奥古斯都、波兰国王和萨克森选帝侯（1670-1733）和他的继任者奥古斯都三世（1696-1763），以他的花卉设计而闻名，这些图案比纽伯的更自由，几何更少。该运动也可能是在德累斯顿进行的。P.J. Marperger是一本关于德国钟表市场的书《钟表》（德累斯顿，1723年）的作者，他写道："一些重要的人物......根本无法欣赏任何不是来自法国或英国的东西。他主张对外国钟表征收重税，并允许经过认证的（意为德国）钟表制造商在表盘上刻上伦敦或日内瓦。
介绍（英）	This watchcase displays a technique of setting hardstones in gold that is usually associated with Johann Christian Neuber (1736–1808) of Dresden, although it was probably inspired by enameled gold watchcases made in Paris a few years earlier. Stiehl, who held appointments to Augustus the Strong, King of Poland and Elector of Saxony (1670–1733), and his successor, Augustus III (1696–1763), is known for his floral designs, which are freer and less geometric than Neuber’s. The movement may also have been made in Dresden. P.J. Marperger, author of Horologiographia (Dresden, 1723), a book on the watch and clock market in Germany, wrote that “some important people . . . simply cannot appreciate anything that does not come from France or England.” He advocated a heavy tax on foreign clocks and watches in addition to allowing accredited (meaning German) clockmakers to engrave London or Geneva on their dials.