碟 - 美国大都会艺术博物馆展品查阅

品名（中）	碟
品名（英）	Dish
入馆年号	1917年，17.190.1885
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者
创作年份	公元 1720 - 公元 1740
创作地区
分类	陶瓷陶器（Ceramics-Pottery）
尺寸	整体: 12 1/2 × 7 1/2 英寸 (31.8 × 19.1 厘米)
介绍（中）	这个托盘表现出十八世纪初法国彩陶中不罕见的影响组合。虽然这种形式似乎源自日本进口漆器模型——漆在法国几十年来一直备受推崇——但扭曲和斑点的手柄可以追溯到上个世纪讷韦尔彩陶中常见的风格。路易十四宫廷的著名设计师让·贝兰一世（Jean Bérain I，1637-1711 年）宫廷风格的怪诞蓝白装饰。（怪诞最早是在公元前一世纪为富有的罗马人的城市宫殿和乡村别墅开发的轻微彩绘墙壁装饰。这些经典的怪诞是在十五世纪后期通过挖掘发现的。这种流派被文艺复兴时期的艺术家复制和采用，从未从欧洲艺术中完全消失。就其本质而言，这种风格在最轻微的阶梯式建筑支撑或凉棚上部署了各种人类、动物和神话生物。在穆斯捷彩陶中，最早记录的让·贝兰一世怪诞风格的使用，工厂以印刷品的形式提供给工厂，是 1696 年至 1700 年间为让·查尔斯·德·克鲁索尔、第七代杜克斯·德·乌泽斯和他的妻子安妮·海波利特·德·格里马尔迪制作的一道菜，摩纳哥公主。正如克莱里西家族的几代人拥有并经营着这家工厂一样，维里家族的几代人也在那里活跃着画家。第一个名字是弗朗索瓦·维里（François Viry，1614-1689 年），他是穆特西耶附近里茨镇的画家，于 1682 年受聘负责绘画工作室。他的儿子加斯帕德签署的作品是众所周知的。
介绍（英）	This tray exhibits a combination of influences not unusual in French faience in the early eighteenth century. While the form seems to be derived from an imported Japanese lacquer model—lacquer being for decades highly regarded in France—the twisted and spotted handles look back to a style common in Nevers faience in the preceding century. The blue-and-white decoration of grotesques ins in the court style of Jean Bérain I (1637–1711), a leading designer at the court of Louis XIV. (Grotesques were first developed as a slight painted wall decoration in the first century B.C. for the urban palaces and country villas of wealthy Romans. These classic grotesques were discovered through excavation in the late fifteenth century. The genre was copied and adopted by artists of the Renaissance, and never entirely disappeared from European art. In its essentials the style deployed a variety of human, animal, and mythical beings, upon the slightest of stepped architectural supports or pergolas.) In Moustiers faience the earliest documented use of the grotesque style of Jean Bérain I, available to the factory in the form of prints, is a dish made between 1696 and 1700 for Jean Charles de Crussol, seventh Dux d’Uzès and his wife Anne Hypolite de Grimaldi, a Princess of Monaco. Just as several generations of the Clérissy family owned and ran the factory, so several generations of the Viry family were active there as painters. The first of that name, François Viry (1614–1689), a painter from the town of Rietz near Moutsiers, was engaged in 1682 to take charge of the painting atelier. Work signed by his son Gaspard is known.