皇帝查理五世（1500–1558）和他的儿子西班牙腓力二世（1527–1598） - 美国大都会艺术博物馆展品查阅

品名（中）	皇帝查理五世（1500–1558）和他的儿子西班牙腓力二世（1527–1598）
品名（英）	Emperor Charles V (1500–1558) and his Son Philip II of Spain (1527–1598)
入馆年号	1938年，38.150.9
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Leone Leoni【1504 至 1590】【意大利人】
创作年份	公元 1550
创作地区
分类	宝石宝石（Lapidary Work-Gems）
尺寸	整体, with frame: 1 5/16 x 1 1/16 x 3/8 英寸 (3.4 x 2.6 x 1 厘米); Visible cameo (confirmed): 33.8 x 26.2 x 9.8 毫米
介绍（中）	这是一个罕见的，可能是独一无二的文艺复兴时期客串的例子，用雕刻师自己的话记录下来。1550年，著名的哈布斯堡王朝雕塑家Leone Leoni在米兰给查理五世在布鲁塞尔的代理人红衣主教Granvella写道，"一块神奇的石头"启发他雕刻了查尔斯和他的儿子菲利普二世的双像，"就像雕塑家过去为凯撒和奥古斯都所做的那样。在背面，我代表了皇帝深爱的女皇。"葡萄牙的伊莎贝拉，查尔斯的妻子和菲利普的母亲于1539年去世。Leoni估计他的工作花了两个月的时间。他总是忙于重要的项目，他的注意力无法分散，但正如这封珍贵的信所证实的那样，他显然对客串的执行非常谨慎朱盖特肖像，其中一个侧面重叠另一个侧面，确实是由古罗马人发明的。这里的头部后面的物体是一个带翅膀的霹雳，借用了木星的图像。这两个人的脸比伊莎贝拉的更生动；她的肖像是以一幅死后的肖像为模型的，可能是提香画的顶部的芯片虽然不幸，但并没有削弱这颗宝石的力量。
介绍（英）	This is a rare, possibly unique instance of a Renaissance cameo documented in the carver’s own words. The eminent Hapsburg court sculptor Leone Leoni wrote in 1550 from Milan to Cardinal Granvella, agent of Charles V in Brussels, that “a fantastic stone” inspired him to carve a double portrait of Charles and his son, Philip II, “the way a sculptor used to do for Caesar and Augustus. On the reverse I represented the Empress so beloved of the Emperor.” Isabella of Portugal, wife of Charles and mother of Philip, had died in 1539. Leoni estimated that his work had taken two months. He was perpetually busy with important projects and his attention cannot have been undivided, yet as the precious letter corroborates, he obviously took great care with the cameo’s execution. Jugate portraits, in which one profile overlaps another, were indeed invented by the ancient Romans. The object behind the heads here is a winged thunderbolt, borrowed from the imagery of Jupiter. The two men’s faces are livelier than Isabella’s; her likeness was modeled on a posthumous portrait, possibly painted by Titian. The chip at the top, while unfortunate does not diminish this jewel’s power.