带盖子和支架的肉汤碗（移动装置的一部分） - 美国大都会艺术博物馆展品查阅

品名（中）	带盖子和支架的肉汤碗（移动装置的一部分）
品名（英）	Broth bowl with cover and stand (part of a traveling set)
入馆年号	1941年，41.88.1a, b, .2
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Louis Imlin III the Younger【1716 至 1798】
创作年份	公元 1768
创作地区
分类	金属制品银（Metalwork-Silver）
尺寸	整体 (porringer with cover (.1a, b), 包含 handles): 5 7/8 × 12 3/8 英寸 (14.9 × 31.4 厘米); Diameter (plate (.2)): 10 3/8 英寸 (26.4 厘米)
介绍（中）	一种有盖的碗，有两个把手，用来盛热汤或肉汤。在17世纪末和18世纪，人们在早晨洗漱时喝肉汤，但也会提供给新母亲，以及生病和卧床的人，以恢复体力。出于这个原因，écuelles打算在卧室而非餐厅私人使用 Écuelles通常会提供配套的菜肴或面包平台，但这些项目经常被分开。作为旅行套装的一部分，这款écuelle不仅保留了高原，还保留了叉子和勺子。1768年，路易·伊姆林三世（Louis Imlin III）制作了écuelle及其平台，他是斯特拉斯堡最重要的银匠王朝之一，而叉子和勺子则由一位不知名的大师制作。由于金匠们经常专门研究某些类型的物品，因此几位制造商在一套物品上工作并不罕见。这套衣服可能和其他衣服一起装在一个保护套里这些作品上刻有杜布尔家族的纹章。Éléonor Marie du Maine Comte du Bourg（1655–1739）是阿尔萨斯州州长和法国元帅。这些盾徽可能是后来添加的虽然这一时期的巴黎著名银匠在制作这件écuelle时已经在创作更加自律和有序的新古典风格的作品，但伊姆林的贵族客户很可能更喜欢早期洛可可风格的华丽曲线。
介绍（英）	An écuelle is a lidded bowl with two handles used for serving hot broth or bouillon. During the late seventeenth and eighteenth century, broth was taken during the morning toilette but also offered to new mothers, as well as to the sick and bed-ridden to regain their strength. For that reason, écuelles were intended for private use in the bedroom rather than in the dining room. Écuelles were often provided with a matching dish or plateau for bread but these items were frequently separated. Part of a travelling set, this écuelle retains not only its plateau but also a fork and spoon. While the écuelle and its plateau were made in 1768 by Louis Imlin III, a member of one of the foremost dynasties of silversmiths in Strasbourg, the fork and spoon were made by an unknown master. It was not uncommon for several makers to work on a single set, as goldsmiths frequently specialized in certain types of object. The set was probably contained in a protective case together with other pieces. The pieces are engraved with the coat of arms of the du Bourg family. Éléonor Marie du Maine Comte du Bourg (1655–1739) was governor of Alsace and Marshal of France. These coat of arms may have been added at a later date. Whereas leading Parisian silversmiths of this period were already creating works in the more disciplined and orderly Neo-classic style at the time that this écuelle was made, it is likely that the aristocratic clients of Imlin preferred the flamboyant curves of the earlier Rococo.