带盖子的烧杯 - 美国大都会艺术博物馆展品查阅

品名（中）	带盖子的烧杯
品名（英）	Beaker with cover
入馆年号	1948年，48.187.86a, b
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Jean-Louis Straus【1707 至 1777】
创作年份	公元 1735 - 公元 1745
创作地区
分类	金属制品银（Metalwork-Silver）
尺寸	高: 6 5/8 英寸 (16.8 厘米)
介绍（中）	在十七世纪后期和十八世纪上半叶，阿尔萨斯城镇的传统是向镇议会的每个成员赠送一个所谓的议会或治安法官的烧杯（gobelet de Magistrat或Ratsbecher）。通常，此类杯子上刻有收件人的姓名，日期和城镇的徽章。没有自己的银匠作坊的较小社区经常在斯特拉斯堡委托制作这样的杯子，这座城市以其金匠工作和无与伦比的镀金而闻名。这款带盖的包裹镀金烧杯于斯特拉斯堡制造，镌刻有菲利普斯·菲利普致敬和 1740 年的日期。由于这艘船没有特定城市的徽章，因此这杯子更有可能是在另一个场合提出的。用拉丁词Salutem，铭文暗示了为接受者的健康干杯。这个展示杯是凯瑟琳·温特沃斯（Catherine D. Wentworth）于1948年遗赠给博物馆的银器收藏的一部分。温特沃斯夫人（1865-1948 年）是惠好木材公司创始人之一的女儿，是一名艺术学生和画家，在法国生活了三十年。她成为美国最重要的十八世纪法国银收藏家之一，并在她去世后将她收藏的银器、金盒、法国家具和纺织品的一部分留给了大都会博物馆。该系列在国内银器方面特别强大，其中大部分是省级的，其中包括一些罕见的早期作品。
介绍（英）	In the later seventeenth century and first half of the eighteenth century, it was a tradition in Alsatian towns to present each member of the town council with a so-called council or magistrate’s beaker (gobelet de Magistrat or Ratsbecher). Generally, such cups are engraved with the name of the recipient, a date, and the coat of arms of the town. Smaller communities without their own silversmith workshops, often commissioned such cups in Strasbourg, a city renowned for its goldsmith work and its unparalleled gilding. Made in Strasbourg, this parcel-gilt beaker with cover is engraved with Philippus Philippo Salutem and the date 1740. Since this vessel does not bear the coat of arms of a particular city, it is probably more likely that this cup was presented at another occasion. With the Latin word Salutem, the inscription makes an allusion to toasting the recipient’s health. This presentation cup is part of the collection of silver bequeathed to the Museum in 1948 by Catherine D. Wentworth. Daughter of one of the founders of the Weyerhaeuser Timber Company, Mrs. Wentworth (1865-1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death left part of her significant collection of silver, gold boxes, French furniture and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, and includes a number of rare early pieces.