盘子（一对之一） - 美国大都会艺术博物馆展品查阅

品名（中）	盘子（一对之一）
品名（英）	Dish (one of a pair)
入馆年号	1948年，48.187.335
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Jérôme Rebillé【1685 至 1740】
创作年份	公元 1715 - 公元 1731
创作地区
分类	金属制品银（Metalwork-Silver）
尺寸	整体: 1 1/4 × 9 1/2 英寸 (3.2 × 24.1 厘米)
介绍（中）	饮食习惯的变化影响了法国银器的设计。17世纪晚期，法国菜开始出现，要求在每道菜中，餐桌上以对称的方式排列多个菜肴。以前，餐具柜上一直陈列着银：现在，虽然它仍然是装饰性的，但它的作用主要是功能性的。食客们在触手可及的盘子、盘子和碗中用餐。各种各样的形式被开发出来，不仅用来容纳各种食物，还用来娱乐和招待食客银器的货币价值通常意味着银器不仅是实用的，而且是财富和地位的象征，因此，银器往往反映了最新的风格。银可以被熔化和重新灰化，由于银的价值往往更多地取决于内在金属而非工艺，因此被认为过时的物品往往被熔化和改造法国白银也受到十七世纪末和十八世纪各种财政危机的影响；路易十五和路易十五都发布法令，要求将白银带到造币厂熔化，由此产生的白银用于补充耗尽的国库。因此，十七世纪和十八世纪上半叶的法国白银以相对较少的数量幸存下来 <> Weyerhaeuser木材公司创始人之一凯瑟琳·D·温特沃斯（Catherine D.Wentworth，1865-1948）的女儿是一名艺术学生和画家，在法国生活了三十年。她成为18世纪法国白银最重要的美国收藏家之一，1948年去世后，她将自己重要的白银、金盒、法国家具和纺织品藏品的一部分遗赠给了大都会博物馆。这批藏品在国内白银中尤为丰富，其中大部分是省级的，包括一些罕见的早期作品。
介绍（英）	Changes in dining customs influenced the design of French silver. The late seventeenth century saw the introduction of the service à la francaise, which required that multiple serving dishes be arranged on the dining table in a symmetrical pattern during each course. Previously, silver had been displayed on sideboards: now, while it remained decorative, its role was primarily functional. Diners served themselves from the platters, dishes and tureens that were within reach. A large variety of forms was developed not only to contain the various foods but also to amuse and entertain the diner. The monetary value of silver usually meant that silver objects were not only utilitarian but were also a sign of wealth and status, and as such, often reflected the latest style. Silver could be melted down and refashioned, and as the value of silver was often held to lie more in the intrinsic metal than in the craftsmanship, objects considered out of date were often melted down and transformed. French silver was also subject to the various fiscal crises of the late seventeenth and eighteenth centuries; both Louis XlV and Louis XV issued edicts demanding that silver be brought to the mint for melting, the resulting silver being used to replenish depleted state treasuries. Thus, French silver from the seventeenth and first half of the eighteenth centuries survives in relatively small quantities. Daughter of one of the founders of the Weyerhaeuser Timber Company, Catherine D. Wentworth (1865-1948) was an art student and painter who lived in France for thirty years. She became one of the most important American collectors of eighteenth-century French silver and on her death in 1948 bequeathed part of her significant collection of silver, gold boxes, French furniture and textiles to the Metropolitan Museum. The collection is particularly strong in domestic silver, much of it provincial, and includes a number of rare early pieces.