逗号 - 美国大都会艺术博物馆展品查阅

品名（中）	逗号
品名（英）	Commode
入馆年号	1949年，49.7.114a, b
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Pierre Antoine Foullet【1765 至 1765】
创作年份	公元 1755 - 公元 1775
创作地区
分类	木工家具（Woodwork-Furniture）
尺寸	34 1/4 × 38 英寸 (87 × 96.5 厘米)
介绍（中）	皮埃尔·安托万是法国橱柜制造商安托万·福莱（Antoine Foullet）的儿子，他专门从事钟表表壳的制作，他以制作过渡风格的抽屉柜（便桶）而闻名。尽管开口形状和两个无横移的抽屉（中间没有架子）装饰着一个中央奖章是他的作品的特色，但这个特殊的例子比福莱特的大多数便桶都要小。虽然弯曲的cabriole腿和抽屉柜蜿蜒的轮廓仍然显示出洛可可风格的挥之不去的影响，但奖章、下垂的音乐奖杯和镀金青铜底座显然是新古典主义的本质。作为一名橱柜制造商，福莱特不被允许铸造和追逐青铜作为家具，他一定与金属工人协会的一名成员密切合作，因为围裙底座的轮廓以及奖章的月桂叶和蝴蝶结缎带框架都精确地勾勒在饰板上。福莱作品的典型之处还在于，考虑到伦敦华莱士收藏馆的一位女主人的招牌上有他的签名，他被认为是自己完成的细致的招牌。
介绍（英）	Son of the French cabinetmaker Antoine Foullet, who was specialized in the creation of clock cases, Pierre Antoine is best-known for his output of chests of drawers (commodes) executed in a transitional style. Even though the breakfront shape and the two drawers sans traverse (without a shelf in between) decorated with a central medallion are characteristic for his work, this particular example is smaller than most of Foullet’s commodes. While the curving cabriole legs and serpentine outline of the chest of drawers still show lingering influence of the Rococo style, the medallions, pendent musical trophies, and gilt-bronze mounts are clearly Neoclassical in nature. Since as a cabinetmaker, Foullet was not allowed to cast and chase the bronzes for his furniture, he must have collaborated closely with a member of the metalworkers’ guild since the outline of the apron mounts and the laurel-leaf and bow-knotted ribbon frames of the medallions are precisely outlined in the veneer. Typical for Foullet’s work is also the meticulous marquetry that he is thought to have executed himself given the fact that the marquetry of a secrétaire in the Wallace Collection, London, bears his signature.