一对祭坛烛台 - 美国大都会艺术博物馆展品查阅

品名（中）	一对祭坛烛台
品名（英）	Pair of altar candlesticks
入馆年号	1950年，50.145.57, .58
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者
创作年份	公元 1615 - 公元 1645
创作地区
分类	金属制品镀金青铜（Metalwork-Gilt Bronze）
尺寸	(.57): 35 × 6 7/8 英寸 (88.9 × 17.5 厘米); (.58): 34 5/8 × 6 7/8 英寸 (87.9 × 17.5 厘米)
介绍（中）	就像我们的其他烛台（猫162）一样，这对纪念性的蜡烛注定要放在教堂的祭坛上。尽管在技术上相同，但这两套在结构和设计上有所不同，尤其是卷腹的风格和小天使等装饰元素的造型。卷边和人物浓密的卷曲让人想起1620年至1640年间生产的那不勒斯巴洛克金属制品。当时，许多金匠和金属工人在那不勒斯经营，为教堂、修道院和修道院生产华丽的作品。[1] 这些作品中的大多数只有通过文献才能为人所知，尽管最近在西班牙发现并出版了一些值得注意的例子。[2] 在意大利任期内，许多西班牙总督委托在罗马和那不勒斯创作艺术品，这些艺术品将运往国内的教堂或宫殿。这对烛台可能就是这样一种出口产品 -PD‘A 脚注。见若托罗，2007年；达戈斯蒂诺，2011年，第60-66页；达戈斯蒂诺2014 2.马德里皇家马德里1983；加西亚·库托，2009年。
介绍（英）	Like our other candlesticks (cat. 162), this monumental pair was destined for a church altar. Although identical in technique, the two sets differ in structure and design, particularly the style of the volutes and the modeling of decorative elements such as the cherubs. The volutes and the figures’ thick, clustered curls are reminiscent of Neapolitan Baroque metalwork produced between 1620 and 1640. Many goldsmiths and metalworkers were operating in Naples during that time, producing opulent pieces for churches, monasteries, and convents.[1] The majority of these works are known only through documents, although some noteworthy examples have recently been traced and published in Spain.[2] During their Italian tenure, many Spanish viceroys commissioned works of art in Rome and Naples that were destined for churches or palaces back home. This pair of candlesticks may have been one such export. -PD’A Footnotes (For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.) 1. See Ruotolo 2007; D’Agostino 2011, pp. 60–66; D’Agostino 2014. 2. Madruga Real 1983; García Cueto 2009.