德韦利夫人，née Adélaïde Flore Belleville（1765-1838） - 美国大都会艺术博物馆展品查阅

品名（中）	德韦利夫人，née Adélaïde Flore Belleville（1765-1838）
品名（英）	Madame de Wailly, née Adélaïde-Flore Belleville (1765–1838)
入馆年号	1956年，56.105
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Augustin Pajou【1730 至 1809】【法国人】
创作年份	公元 1789
创作地区
分类	雕塑（Sculpture）
尺寸	整体, without base (confirmed): 高 24 5/8 x 宽 19 7/8 x 深 10 3/4 英寸 (62.5 x 50.5 x 27.3 厘米); 高 with base: 30 1/8 英寸 (76.5 厘米)
介绍（中）	保姆是帕茹一生的朋友查尔斯·德·威利的妻子，他是罗马学生时代的同伴。路易十六的宫廷建筑师德怀利为帕茹和他自己建造了相邻的房屋，帕茹为建筑师和他的妻子制作了半身像。丈夫死后，德怀利夫人嫁给了医生兼化学家德福克罗伊先生德怀利夫人的肖像充分展示了雕塑家的天赋。他作品的坚实特征被同样具有特征的线性所活跃，从而形成了一幅18世纪罗马女护士肖像的精彩版本。尊严感并没有抑制德怀利夫人完全成熟的脸上散发出的幽默和智慧精神。这种成熟感在帕茹对躯干的处理中得到了呼应，紧贴着的布料部分露出了她的胸部和宽阔的肩膀。她那弯弯曲曲、厚重的卷发勾勒出她的脸庞，披在肩上，始终是雕塑般的，为作品增添了和谐与平衡。
介绍（英）	The sitter was the wife of Pajou's lifelong friend Charles de Wailly, a companion from student days in Rome. De Wailly, court architect to Louis XVI, had built neighboring houses for Pajou and himself, and Pajou executed busts of the architect and his wife. After her husband's death, Madame de Wailly married M. de Fourcroy, a medical doctor and chemist. The portrait of Madame de Wailly displays the sculptor's gifts to best advantage. The solidity that characterizes his work is enlivened by an equally characteristic linearity, resulting in a brilliant eighteenth-century version of a Roman matron's portrait. The sense of dignity does not suppress the spirit of humor and intelligence that radiates from Madame de Wailly's fully mature countenance. This maturity is echoed in Pajou's handling of her torso, emphasized by the clinging cloth that partly exposes her chest and ample shoulders. The sinuous, weighty curls that frame her face and cascade over her shoulders are insistently sculptural, lending harmony and equilibrium to the work.