烟盒 - 美国大都会艺术博物馆展品查阅

品名（中）	烟盒
品名（英）	Tobacco box
入馆年号	1957年，57.108.24
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者
创作年份	公元 1700 - 公元 1799
创作地区
分类	金属制品黄铜（Metalwork-Brass）
尺寸	1 3/8 x 7 x 2 英寸 (3.5 x 17.8 x 5.1 厘米)
介绍（中）	端部圆形的长方形盒子。盖子上描绘了富人和穷人拉撒路的寓言故事的几集，这些场景由经典的柱子划分。右边可以看到生病的拉撒路坐在街上，狗在舔他的伤口。在中央，富人在家，坐在宴会桌后面。左边的富人在地狱里燃烧，拉撒路来到了上帝的天堂宝座。整个表示由包含rebs的第一部分的叶卷构成框架。rebs可以解释为：Vat[桶]den tijd[翼沙漏]en，或者慢慢来。。。（在底面上完成重涂）下面以几集的形式展示了浪子的寓言故事，这几集同样由经典专栏划分。在右边，儿子离开了他父亲的房子。在背景的中央，儿子正在喂猪，而在前景中，他已经回到了父亲身边。在左边的场景中，儿子在三位音乐家的陪伴下拥抱一个半裸的女人。题写（在中间背景）：我会站起来去见我的父亲（路加福音15:18）。这些场景被树叶卷轴和雷布的第二部分包围：Leer[梯子]de wereld[地球]kenne（……了解世界）正面刻有：Het lijkt wel aen den reijke vreck in zijn wel lustig leeven/Laaserus most neeme zijn vertreck zonder wat chow te geeven/Dat heeft de gierig heijt gedaan Laaserus heeft gods troun on tfaan/Maar den reijk vreck begraaven in de helsche slaaven（在富有的守财奴看来，他过着奢华的生活/拉撒路不得不离开，没有给他任何面包/贪婪导致了这一点，拉撒路已经获得了上帝的宝座/但富有的守财奴与地狱的奴隶一起被埋葬在地狱中）。背面刻着：Een reijke loose zoon was heulps en onbedaegt/Zijn vaders erf en goet zoo schandig door gebraegt（一个鲁莽的儿子，好色，不体贴，可耻地挥霍了父亲的财产）。这两个故事，拉撒路和浪子的故事，都以慈善为主题轮辋有内衬和绳，边缘是模制的。圆形的末端装饰着叶卷 A。O.van Kerkwijk，"Oude rabaksdoozen"，Het huis oud en nieuw（1911）P:154，图4，提到了关于浪子的类似铭文烟草盒上经常出现重燃。见Van der Linden，"Les boîtes en cuivres"，第203页。
介绍（英）	An oblong box with rounded ends. On the lid several episodes of the parable of the rich man and the poor Lazarus are depicted, the scenes divided by classical columns. To the right the sick Lazarus can be seen sitting in the street while the dogs lick his sores. In the center the rich man is at home, seated behind a banquet table. At the left the rich man is seen burning in hell and Lazarus has come to God's throne in heaven. The entire representation is framed by leaf scrolls which contain the first part of a rebus. The rebus can be interpreted as: Vat [barrel] den tijd [winged hourglass] en ... , or Take the time and ... (the rebus is completed on the underside). The underside illustrates the parable of the Prodigal Son in several episodes, which are similarly divided by classical columns. At the right the son leaves his father's house. At the center in the background the son is tending the swine, and in the foreground he has returned to his father. In the left-hand scene the son embraces a semi-naked woman in the company of three musicians. Inscribed (in the center background): Ik wil opstan en tot mijn vader gaan (I will arise and go to my father) (Luke l5:18). The scenes are surrounded by leaf scrolls and the second part of the rebus: Leer [ladder] de wereld [globe] kenne ( ... get to know the world). The front side is inscribed: Het lijkt wel aen den reijke vreck in zijn wel lustig leeven / Laaserus most neeme zijn vertreck zonder wat brood te geeven / Dat heeft de gierig heijt gedaan laaserus heeft gods troon ontfaan/ Maar den reijke vreck begraaven in de hel bij de helsche slaaven (It seems to the rich miser with his sumptuous life/ that Lazarus had to depart without giving him any bread / The avarice has caused this, Lazarus has received God's throne/but the rich miser is buried in hell with the infernal slaves). Inscribed on the back side is: Een reijke loose zoon was heulps en onbedaegt/ Zijn vaders erf en goet zoo schandig door gebraegt (A reckless son, lascivious and inconsiderate / ran disgracefully through his father's fortune). Both stories illustrated, those of Lazarus and of the Prodigal Son, treat the theme of charity. Rims are lined and corded, edges are molded. The rounded ends are decorated with leaf scrolls. A. O. van Kerkwijk, "Oude rabaksdoozen," Het huis oud en nieuw (1911) P: 154, fig. 4, mentions a similar inscription about the Prodigal Son. The rebus occurs regularly on tobacco boxes. See Van der Linden, "Les boîtes en cuivres," p. 203.