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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)花瓶(一对之一)
品名(英)Vase (one of a pair)
入馆年号1964年,64.101.147
策展部门欧洲雕塑和装饰艺术European Sculpture and Decorative Arts
创作者Meissen Manufactory【1710 至 现在】【德国人】
创作年份公元 1730 - 公元 1740
创作地区
分类陶瓷-瓷器(Ceramics-Porcelain)
尺寸高: 18 5/16 英寸 (46.5 厘米); Diameter (rim): 9 11/16 英寸 (24.6 厘米)
介绍(中)18世纪在欧洲大陆建立的大多数瓷器企业通常都是由皇室或贵族赞助人创立和支持的,他们提供的资金对工厂的生存至关重要,这些工厂很少盈利。这种财政支持也意味着工厂的生产往往反映了赞助人的品味,而不是它必须迎合的市场的品味。对媒体本身的热情是许多创办工厂的人的动机,以及拥有这样一家企业所产生的声望,这使得财务回报在很大程度上成为次要问题。在任何情况下,奥古斯都大帝都是如此,他对瓷器的痴迷导致了1710年迈森工厂的成立(条目10)。由于迈森工厂是欧洲第一个发现硬浆瓷器配方的工厂,因此对其早期历史进行了深入的研究。[6] 在奥古斯都大帝以及后来他的儿子奥古斯特三世(1696-1763)的支持和积极兴趣下,迈森在18世纪上半叶成为欧洲最卓越的工厂。其艺术上的成功,加上其卓越的技术成就,为瓷器的声望和工厂所有权的利益做出了巨大贡献(64.101.147)。18世纪中期,皇家和贵族赞助人在德国建立了许多工厂,而符腾堡公爵卡尔·尤根(1728-1793),评论说,瓷器厂是"王子荣耀和尊严的必要属性"。[7]与法国相比,德国土地上的所有企业都只生产硬浆瓷器,这间接地受到了迈森的影响。由于硬浆瓷器的配方受到有意建厂的人的热切追求,迈森公司积极地试图保护其配方不受竞争企业的影响,但离职的工人却带走了他们的技术知识。1718年,Claudius Innocentius Du Paquier(公元1751年)在维也纳创建了欧洲第二家生产硬浆瓷器的瓷器厂,他的成功很大程度上是基于以前受雇于迈森的工人提供的援助(条目28)。到了1750年代,陶工从一家工厂到另一家工厂的旅行并不罕见,这导致了新工厂的建立,并利用了其他地方获得的专业知识

脚注
(关于缩短参考文献的关键,请参阅Munger的参考书目,大都会艺术博物馆的欧洲瓷器。纽约:大都会艺术馆,2018)
[6]关于工厂的历史,请参阅Nelson 2013,第117–83页
[7]库茨,2001年,第124页。
介绍(英)The majority of the porcelain enterprises established on the Continent in the eighteenth century were generally founded and supported by royal or noble patrons, and the funding that they provided was critical to the survival of the factories, which rarely if ever operated at a profit. This financial support also meant that the production of the factories often reflected the taste of the patron rather than the taste of a market to which it had to cater. The passion for the medium itself was the motivation for many of those who founded factories, as well as the prestige accrued from owning such an operation, making the financial return very much a secondary concern. In no instance was this more the case than with Augustus the Strong, whose obsessive interest in porcelain led to the founding of the Meissen factory in 1710 (entry 10). The early history of Meissen has been thoroughly researched and studied thanks to the factory’s distinction of being the first in Europe to discover the formula for hard-paste porcelain.[6] With the backing and active interest of Augustus the Strong and later from his son August III (1696–1763), Meissen became the preeminent factory in Europe during the first half of the eighteenth century. Its artistic success, coupled with its remarkable technical accomplishments, contributed enormously to the prestige of porcelain and to the benefits of factory ownership (64.101.147). Numerous factories were established in Germany in the mid- eighteenth century by royal and noble patrons, and Karl Eugen (1728–1793), Duke of Württemberg, remarked that a porcelain factory was “a necessary attribute of the glory and dignity of a prince.”[7] In contrast to France, all of the enterprises on German soil produced only hard- paste porcelain, which was indirectly due to the influence of Meissen. Because the formula for hard- paste porcelain was avidly sought by people intent on establishing factories, Meissen zealously attempted to guard its recipe from competing enterprises, but departing workers took their technical knowledge with them. The second porcelain factory in Europe to make hard-paste porcelain was founded in 1718 by Claudius Innocentius Du Paquier (d. 1751) in Vienna, and his success was largely based on the assistance provided by workers formerly employed at Meissen (entry 28). By the 1750s, it was not uncommon for potters to travel from one factory to another, which resulted in new factories being founded with the expertise gained elsewhere.

Footnotes
(For key to shortened references see bibliography in Munger, European Porcelain in the Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2018)
[6] For a history of the factory, see Nelson 2013, pp. 117–83.
[7] Coutts 2001, p. 124.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。