对爱的特征的恐惧 - 美国大都会艺术博物馆展品查阅

品名（中）	对爱的特征的恐惧
品名（英）	La Crainte des Traits de l'Amour
入馆年号	1967年，67.197
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Jean-Louis Lemoyne【1665 至 1755】
创作年份	公元 1739 - 公元 1740
创作地区
分类	雕塑（Sculpture）
尺寸	整体 (confirmed): 高 71 3/4 x 宽 26 1/4 x 深 36 7/8 英寸 (182.2 x 66.7 x 93.7 厘米)
介绍（中）	就像大多数浪漫的洛可可意象一样，这座雕塑是色情的，但在某种程度上其意义是矛盾的。当丘比特突然出现时，这位女士做出了一个震惊的自我保护的手势，向她的胸部射出了一支箭。与此同时，她的特征显示出一种催眠般的吸引力，她的手指似乎在开玩笑地描述他想要攻击的区域这种对年轻爱情的憧憬似乎一直在提炼，尽管它显示了它所处时代的风格特征。从角落里看，若虫微妙的失衡姿势非常吸引人，这是洛可可的杰作。雕刻技术，大理石似乎被闪烁的光线所触摸，与那个时代的绘画风格相呼应。该小组于1734年或1735年受路易十五的安廷公爵（surientant des bâtiments du roi）委托，完工后暂时存放在卢浮宫。1762年，国王将其交给了蓬帕杜夫人的兄弟、艺术部长马里尼侯爵，后者将其放置在他的梅纳斯城堡的户外，并一直保留到19世纪末。
介绍（英）	Like most amorous Rococo imagery, this sculpture is erotic yet somehow ambivalent in its meaning. The woman reacts with a startled, self-protective gesture as Cupid suddenly appears, to cast an arrow into her breast. At the same time, her features reveal a hypnotic attraction and her fingers seem to describe playfully the area he wishes to strike. This vision of young love seems distilled for all time even as it shows the stylistic hallmarks of the age in which it was created. The nymph's delicately off-balance pose—exceedingly fetching when viewed from the corners—is a fine piece of Rococo invention. The carving technique, in which the marble seems touched with flickering light, echoes the painting style of the era. The group was commissioned by the duc d'Antin, surintendant des bâtiments du roi, for Louis XV in 1734 or 1735 and was stored temporarily in the Louvre upon its completion. In 1762 the king gave it to the marquis de Marigny, brother of Madame de Pompadour and minister of the arts, who place it outdoors at his château, Ménars, where it remained until the late nineteenth century.