Fire Screen（萤幕） - 美国大都会艺术博物馆展品查阅

品名（中）	Fire Screen（萤幕）
品名（英）	Fire screen (écran)
入馆年号	1971年，1971.206.16
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Georges Jacob【1739 至 1814】【法国人】
创作年份	公元 1781 - 公元 1791
创作地区
分类	木工家具（Woodwork-Furniture）
尺寸	高 42 x 宽 26-3/4 x 深 16-1/4 英寸 (106.7 x 67.9 x 41.3 厘米)
介绍（中）	Georges Jacob提供了一套座椅家具和一个防火屏，这些家具的设计显然与其他金色和银色装饰相协调。现在博物馆收藏的镀金屏幕框架融合了银色的亮点，比如珍珠和几缕常春藤，它们串在两个形状像燃烧的火把的立柱上，尽管它们现在已经破旧不堪。屏幕顶部和下部轨道上雕刻的镂空螺旋缎带上的一串珍珠也装饰着闺房镶板的饰条，同样的主题在卷顶办公桌和工作台上以镀金青铜重现。屏幕上最初的室内装饰，一件绣有五颜六色花朵的白色gros de Tour或罗纹丝绸，已被一块18世纪的丝绸织锦面板所取代，该面板上有一个奖章，上面是里昂丝绸设计师和制造商菲利普·德·拉萨尔（1723-1805）风格的田园奖杯。在导演时期，即1790年代末，玛丽·安托瓦内特（Marie Antoinette）在枫丹白露（Fontainebleau）的闺房中的屏风和座椅家具被用于圣克劳德城堡（Château de Saint Cloud）（其名字在屏风框架上印了好几次）。
介绍（英）	Georges Jacob supplied a set of seat furniture and a fire screen that were clearly designed to harmonize with the rest of the gold and silver décor. The gilt frame of the screen, which is now in the Museum's collection, incorporates silvered highlights such as the pearls and wisps of ivy strung around the two uprights shaped like burning torches, though they are now much worn. The string of pearls pulled through an openwork spiraling ribbon carved on the screen's top and lower rails also decorates the moldings of the paneling in the boudoir, and the same motif recurs in gilt bronze on the rolltop desk and the worktable. The original upholstery on the screen, a white gros de Tour, or ribbed silk, embroidered with colorful flowers, has been replaced with an eighteenth-century silk brocaded panel with a medallion enclosing a pastoral trophy in the style of the Lyon silk designer and manufacturer Philippe de Lasalle (1723–1805). During the Directoire period, in the late 1790s, the screen and the seat furniture from Marie Antoinette's boudoir at Fontainebleau were used at the Château de Saint Cloud (whose name is stamped several times on the screen's frame).