桌子 - 美国大都会艺术博物馆展品查阅

品名（中）	桌子
品名（英）	Table
入馆年号	1977年，1977.1.4
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Adam Weisweiler【1744 至 1820】【法国人】
创作年份	公元 1785 - 公元 1795
创作地区
分类	木工家具（Woodwork-Furniture）
尺寸	高 37-3/8 x 宽 52-7/8 x 深 24-1/4 英寸 (94.9 x 134.3 x 61.6 厘米)
介绍（中）	这张边桌展示了路易十六统治时期对异国情调和中国风的执着品味，这一时期更典型地由受古罗马和希腊启发的克制的新古典主义形式所定义。这张橡木桌由著名的巴黎橱柜制造商Adam Weiswiler设计，用乌木贴面，采用黑色和金色日本漆面板，并配有锡和镀金青铜底座。它有一个大理石的顶部。雕带中有一个小抽屉，四个锥形八角形支腿由一个交错的担架连接在一起，担架上安装着一个镀金的青铜瓮（可能是一个替代品）。雕带中的中央漆面板，与两块以牧神和奖杯为特色的镀金青铜面板搭配，展示了路易十六统治时期的家具是如何将远东的漆与古代的古典图案相结合的。与博物馆的花瓶chinois（1791年左右在sèvres生产的一对花瓶，试图模仿黑漆的效果（1971.206.23）一起看，这张桌子代表了古代制度最后几十年短暂盛行的黑色和金色美学
介绍（英）	This side table demonstrates the persistent taste for the exotic and Chinoiserie during the reign of Louis XVI, a period more typically defined by the restrained Neoclassical forms inspired by ancient Rome and Greece. Attributed to the famed Parisian cabinetmaker Adam Weisweiler, the oak table is veneered with ebony, incorporates panels of black and gold Japanese lacquer, and is set with strips of pewter and gilt-bronze mounts. It has a marble top. A small drawer is located in the frieze, and the four tapered octagonal legs are joined by an interlacing stretcher mounted with a gilt-bronze urn (possibly a replacement). The central lacquer panel located in the frieze, paired with the two gilt-bronze panels featuring fauns and trophies, demonstrates how furniture under the reign of Louis XVI combined lacquer from the Far East with classical motifs from antiquity. Seen with the museum’s vases chinois, a pair of vases produced around 1791 at Sèvres that sought to mimic the effects of black lacquer (1971.206.23), this desk typifies the black and gold aesthetics that briefly prevailed in the last decades of the ancien régime