逗号 - 美国大都会艺术博物馆展品查阅

品名（中）	逗号
品名（英）	Commode
入馆年号	1982年，1982.60.51
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Jean Henri Riesener【1734 至 1806】【法国人】
创作年份	公元 1775 - 公元 1795
创作地区
分类	木工家具（Woodwork-Furniture）
尺寸	34 x 36 1/2 x 17 3/4 英寸 (86.4 x 92.7 x 45.1 厘米)
介绍（中）	前面是由两扇前门上方的一个宽抽屉组成的，打开后可以看到一个由架子分隔的橱柜。破折号的设计是为了给人一种中央部分叠加在前面的错觉。门上突出的中央部分被框成一块单独的面板，镀金青铜饰条上有水叶，在角落处缩进以容纳四个玫瑰花结（现代替代品）；两侧区域的相同框架终止于突出面板的边缘，就好像它在后面延续一样。抽屉也有类似的设计。里塞纳在他的整个职业生涯中都使用了这种早餐，并在1780年至1790年期间，在许多便盆、角落橱柜和秘书身上重复了这种特殊的处理方式（例如卢浮宫、凡尔赛宫、瓦德斯顿庄园、华莱士收藏馆、伦敦、大都会博物馆、费城艺术博物馆、底特律艺术学院和J。保罗盖蒂博物馆，马里布）。饰有饰有花环和蝴蝶结的女性头部的纹章底座，饰有棘豆叶和橡子的围裙底座，饰以高浮雕并用蝴蝶结打结的花朵的角落底座，以及饰有重叠叶子的锥形腿上的底座，这些都是里森纳在同一十年的其他作品中发现的。凹面雕带的使用在他的作品中是不寻常的。
介绍（英）	The front is formed by a single wide drawer across the top above two front doors, which open to reveal a cupboard divided by a shelf. The breakfront design is treated so as to give the illusion that the central section is superimposed over the front. The projecting central section on the doors is framed as a single panel with a gilt-bronze molding chased with water leaves, indented at the corners to accommodate four rosettes (modern replacements); the same framing on the flanking areas ends at the edges of the projecting panel as though it continued behind it. The drawer is similarly designed. Riesener employed the breakfront throughout his career and repeated this particular treatment of it with variations on a number of commodes, corner cupboards, and secretaries from about 1780 to 1790 (examples are in the Louvre, Versailles, Waddesdon Manor, the Wallace Collection, London, the Metropolitan Museum, the Philadelphia Museum of Art, the Detroit Institute of Arts, and the J. Paul Getty Museum, Malibu). The escutcheon mounts in the form of a female head framed by wreaths and bows, the apron mount with acanthus leaves and an acorn, the corner mounts of flowers modeled in high relief and tied by bows, and the mounts on the tapered legs with overlapping foliage are found on a number of other pieces by Riesener dating from the same decade. The use of the concave frieze is unusual in his work.