沙发（奥斯曼夜灯） - 美国大都会艺术博物馆展品查阅

品名（中）	沙发（奥斯曼夜灯）
品名（英）	Sofa (ottomane veilleuse)
入馆年号	1982年，1982.60.72
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Jean-Baptiste I Tilliard【1686 至 1766】【法国人】
创作年份	公元 1745 - 公元 1765
创作地区
分类	木工家具（Woodwork-Furniture）
尺寸	40 1/2 英寸 × 78 英寸 × 31 英寸 (102.9 × 198.1 × 78.7 厘米)
介绍（中）	Jean-Baptiste l Tilliard属于活跃在巴黎的最重要的菜单师（细木工或椅子制造商）家族之一。他从 1730 年左右开始为 Garde-Meuble（负责皇宫中所有家具、艺术品和其他可移动物品的法国王室组织）工作，担任菜单管理员。因此，他为王室、苏比斯王子和其他重要赞助人提供了椅子、桌子和控制台。蒂利亚德在将路易十五风格的椅子和其他雕刻家具带入时尚方面具有影响力。 Jean-Baptiste ll Tilliard于1752年成为一名大师，并与父亲一起在克莱里街的一家商店工作，直到1764年老蒂利亚德退休。由于父子俩都使用TILLIARD邮票，有时很难将他们的作品区分开来。这张沙发优美的曲线轮廓有些克制，表明日期为 1750-1760 年，这表明它很可能是长者的作品，因为年轻的蒂利亚德主要以路易十六风格工作。两位工匠的特点是在前排座椅导轨的中心或后排的顶部导轨中使用心形漩涡装饰作为装饰图案，有时在两个地方。同样的图案也出现在前腿的顶部，在顶部导轨上出现了两次。漩涡花纹、洛可可式卷轴和开花藤蔓的雕刻与蒂利亚德（Tilliard）盖章的沙发床上的雕刻密切相关，现在在伦敦维多利亚和阿尔伯特博物馆。
介绍（英）	Jean-Baptiste l Tilliard belonged to one of the most important families of menusiers (joiners or chairmakers) active in Paris. He worked from about 1730 for the Garde-Meuble (the organisation of the French royal household responsible for all the furniture, art, and other movable objects in the royal palaces) as a menuisier-ordinaire. As such he supplied chairs, tables, and consoles for the crown, the prince de Soubise and other important patrons. Tilliard was influential in bringing the Louis XV style in chairs and other carved furniture into fashion. Jean-Baptiste ll Tilliard became a maitre (master) in 1752 and worked with his father in a shop on the rue de Cléry until 1764, when the elder Tilliard retired. As both father and son used the stamp TILLIARD, it is sometimes difficult to distinguish their work from one another. The graceful curvilinear yet somewhat restrained outline of this sofa would indicate a date of 1750–1760, suggesting it is most likely the work of the elder since the younger Tilliard worked mostly in the Louis XVI style. Characteristic for both craftsmen is the use of a heart-shaped cartouche as a decorative motif either in the center of the front seat rail or the top rail of the back, sometimes in both places. The same motif appears also at the top of the front legs and twice more on the top rail. The carving of the cartouche, the rococo scrolls, and the flowering vines is closely related to that on a daybed stamped by Tilliard, now in the Victoria and Albert Museum, London.