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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)囚犯
品名(英)Prisoner
入馆年号1982年,1982.60.103
策展部门欧洲雕塑和装饰艺术European Sculpture and Decorative Arts
创作者
创作年份公元 1585 - 公元 1615
创作地区
分类雕塑青铜(Sculpture-Bronze)
尺寸高: 5 英寸 (12.7 厘米)
介绍(中)这个细长而精致的小雕像代表一个留着胡须的囚犯。他恳求地凝视着天空,双臂抱胸,疲惫地向前跋涉,脚踝被分开铸造的链子绑着。闪亮的表面后来被镀金。詹姆斯·大卫·德雷珀(James David Draper)强调了这个人物优雅的对立面,将其分配给了一位艺术家,该艺术家在十六世纪罗马首屈一指的青铜雕塑大师古列尔莫·德拉·波塔(Guglielmo della Porta)的风格之后工作。德雷珀将受试者确定为戴着锁链的施洗者圣约翰,但尼古拉斯·佩妮认出这件青铜器是阿什莫林和V&A的一系列男女囚犯之一。阿什莫林有两件青铜器——一男一女遇险,雄性与我们的一模一样——来自福特纳姆收藏,在那里它们被归类为"16/17世纪,可能是佛罗伦萨"。[1] V&A有四座银色小雕像:两个男性——一个与我们的囚犯一模一样,另一个是几乎没有衣服的青年(图181a-b)——和两个绝望的、半裸的女性。[2]这四个人可能构成了完整的集合,他们显然是要配对的:两个年轻的囚犯和两个年长的囚犯。

根据年轻人物的外表,佩妮将该系列归因于一位身份不明的北方金匠。V&A大约在1600年将银币分配给德国南部。单独考虑,我们的青铜器可能是意大利的,尤其是罗马的,正如德雷珀所建议的那样,但放在群体的背景下就不是了。年轻过分富有表现力的人物显然是阿尔卑斯山另一边的产物,唯一的大都会囚犯不太可能是按照意大利模特铸造的。我们可以相当肯定地说,这些数字是在seicento之交产生的,也许要安装在一个珍贵的柜子上,但整个集团及其功能值得进一步研究。
-FL

脚注
(有关缩短参考文献的关键,请参阅大都会艺术博物馆艾伦、意大利文艺复兴和巴洛克青铜器的参考书目。纽约:大都会艺术博物馆,2022。


1. V&A, A.158-1910–161-1910;阿什莫林,WA1888。中新社。B435–436;见Penny 1992,第2卷,第179页。2. V&A, A.159-1910
, A.161-1910; 见同上。
介绍(英)This elongated and refined statuette represents a bearded prisoner. He gazes imploringly to the heavens, arms hugging chest, trudging wearily forward, ankles bound in separately cast chains. The shining surface was later gilded. Emphasizing the figure’s elegant contrapposto, James David Draper assigned it to an artist working in the stylistic wake of Guglielmo della Porta, premier master of bronze sculpture in sixteenth-century Rome. Draper identified the subject as Saint John the Baptist in chains, but Nicolas Penny recognized the bronze as one of a series of male and female prisoners in the Ashmolean and the V&A. The Ashmolean has two bronzes—a haggard male and female in distress, the male identical to ours—that come from the Fortnum collection, where they were catalogued as “16th/17th century, probably Florentine.”[1] The V&A has four silver statuettes: two males—one identical to our prisoner, the other a barely clad youth (figs. 181a–b)—and two desperate, partially naked females.[2] The four probably constitute the complete set, and they are evidently meant to be paired: two younger prisoners and two older ones.

Based on the appearances of the younger figures, Penny has ascribed the series to an unidentified Northern goldsmith. The V&A assigns the silvers to Southern Germany circa 1600. Considered on its own, our bronze might be Italian, and in particular Roman, as Draper suggested, but not when placed in the context of the group. The younger overly expressive figures are clearly a product of the other side of the Alps, and it is improbable that the sole Met prisoner was cast after an Italian model. We can say with fair certainty that the figures were produced at the turn of the seicento, perhaps to be mounted on a precious cabinet, but the entire group and its function deserve further investigation.
-FL

Footnotes
(For key to shortened references see bibliography in Allen, Italian Renaissance and Baroque Bronzes in The Metropolitan Museum of Art. NY: The Metropolitan Museum of Art, 2022.)


1. V&A, A.158-1910–161-1910; Ashmolean, WA1888.CDEF.B435–436; see Penny 1992, vol. 2, p. 179.
2. V&A, A.159-1910, A.161-1910; see ibid.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。