圣母无原罪 - 美国大都会艺术博物馆展品查阅

品名（中）	圣母无原罪
品名（英）	Virgin of the Immaculate Conception
入馆年号	1982年，1982.60.182
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Fulda Pottery and Porcelain Manufactory【1764 至 1789】【德国人】
创作年份	公元 1776 - 公元 1786
创作地区
分类	陶瓷-瓷器（Ceramics-Porcelain）
尺寸	高: 14 5/16 英寸 (36.4 厘米)
介绍（中）	该模型由Ernst Kramer归于Neu，并被他认为起源于1770年左右；1786年的工厂记录中提到了它。在已被注释的十四个模型实例中，纽约库伯-休伊特博物馆的三个和富尔达法萨内里城堡的另外两个在装饰和调色板的细节上有着明显的相似之处，而在这三个实例中，圣母玛利亚所在的地球仪都描绘了四大洲。法萨内里城堡版本的基座上有相同的字母，人像和这尊一样，上面有一个十字架。库伯-休伊特的例子用一个带冠的双f标记，这个标记在1781年取代了富尔达的十字架，因此意味着这三个十字架的日期都是1781年左右十二颗星的光环和百合枝并不是原来的，但可能被认为是替换而不是添加。这幅图和大都会博物馆Untermyer收藏的另一幅图（64.101.331a，b）的背面在三个地方垂直穿孔，有圆形的洞，釉料和装饰物溢出；它们显然是为了容纳更常见的无原罪受孕曼多拉，其中一个出现在汉堡艺术博物馆的一个版本上。
介绍（英）	The model is attributed to Neu by Ernst Kramer and considered by him to have originated about 1770; it is mentioned in the factory records in 1786. Of the fourteen examples of the model that have been notes, three—this one and two others in the Cooper-Hewitt Museum, New York, and the Schloss Fasanerie, Fulda—share a marked similarity in details of decoration and palette, and in all three the globe on which the Virgin stands depicts the Four Continents. The pedestal of the Schloss Fasanerie version bears the same letters, and the figure, like this one, is marked with a cross. The Cooper-Hewitt example is marked with a crowned double f, the mark that replaced the cross at Fulda in 1781, thus implying a date of about 1781 for all three. The halo of twelve stars and the lily branch are not original, but may be considered as substitutions rather than additions. The backs of this figure and of another in the Untermyer Collection in the Metropolitan Museum (64.101.331a, b) are pierced vertically in three places with circular holes into which glaze and decoration have spilled; they were apparently intended to accommodate the more usual mandorla of the Immaculate Conception, of which one appears on a version of the figure in the Museum für Kunst und Gewerbe, Hamburg.