弗朗西斯科·伊·德·美第奇，托斯卡纳大公 - 美国大都会艺术博物馆展品查阅

品名（中）	弗朗西斯科·伊·德·美第奇，托斯卡纳大公
品名（英）	Francesco I de' Medici, grand duke of Tuscany
入馆年号	1983年，1983.450
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Giambologna【1529 至 1608】【荷兰人】
创作年份	公元 1580 - 公元 1616
创作地区
分类	雕塑青铜（Sculpture-Bronze）
尺寸	confirmed: 30 3/8 × 24 1/2 × 13 11/16 英寸, 113.8 磅 (77.2 × 62.2 × 34.7 厘米, 51.6 kg)
介绍（中）	纵观历史，男人和女人一样装饰自己的身体。来自早期现代欧洲的无数肖像画描绘了穿着精致项圈、闪闪发光的剑柄和装饰盔甲的男人，这既说明了时尚，也讲述了植根于性、勇气和高贵出身概念的理想化男性气质。从十七世纪末到十八世纪末，衣冠楚楚的欧洲绅士们戴着装饰华丽的剑柄的小剑，暗指男性身体的阳刚之气。早期的朝臣和绅士们都拥抱了护颈，这是一种护颈形式，可作为个性项链。世俗的骑士勋章也以悬挂在宝石项圈上的徽章而著称。最著名的是金羊毛勋章，它的名字和徽章来自一个英勇追求取回王权象征的传说。该命令的创始法规要求每天佩戴项链。
介绍（英）	Throughout history, men have adorned their bodies as much as women have. Countless portraits from early modern Europe feature men wearing elaborate collars, glittering sword hilts, and decorative armor that speak both to fashion and to an idealized masculinity rooted in notions of sex, valor, and noble birth. From the late seventeenth century through the end of the eighteenth, well-dressed members of the European gentry wore smallswords with lavishly decorated hilts, alluding to the virility of the masculine body. Earlier courtiers and gentlemen embraced gorgets, a form of neck guard that served as a statement necklace. The secular orders of knighthood also distinguished themselves with insignia suspended from gemmed collars. The most famous was the Order of the Golden Fleece, which borrowed its name and emblem from the legend of a heroic quest to retrieve an emblem of kingly power. The order’s founding statutes called for the necklace to be worn daily.