Clutha花瓶 - 美国大都会艺术博物馆展品查阅

品名（中）	Clutha花瓶
品名（英）	Clutha vase
入馆年号	1991年，1991.20.2
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Christopher Dresser【1834 至 1904】【英国、苏格兰人】
创作年份	公元 1885 - 公元 1895
创作地区
分类	玻璃（Glass）
尺寸	高: 11 1/4 英寸 (28.6 厘米)
介绍（中）	约翰·鲁斯金、查尔斯·洛克·伊斯特莱克、威廉·莫里斯和克里斯托弗·德雷瑟反对切割玻璃的时尚，这种风格否认了材料的熔融性质，他们呼吁改革玻璃生产。改革者将罗马、埃及和伊斯兰世界的古代玻璃，以及十四世纪和十五世纪的威尼斯玻璃视为合适的效仿理想。对古代和早期威尼斯玻璃的运动很快就受到了欢迎，因为它也吸引了复兴主义者和古董收藏家这个花瓶的绿色玻璃展示了Dresser对玻璃作为一种艺术媒介及其流动性的欣赏。花瓶的装饰性体现在其着色和罗纹螺旋图案中，这些元素融入了材料和形状中。气泡、颜色条纹和其他不规则之处是有意的，因为它们强调了玻璃的有机本质 Dresser于1880年左右开始为工业制造设计"艺术玻璃"。这一系列玻璃器皿以苏格兰克莱德河的古名命名为"Clutha"，1888年由玻璃制造商James Couper&；格拉斯哥之子，通过伦敦的Liberty's零售到19世纪90年代。
介绍（英）	Reacting against the fashion for cut glass, a style that denied the molten nature of the material, John Ruskin, Charles Locke Eastlake, William Morris, and Christopher Dresser called for reform in glass production. The reformers looked to ancient glass from Rome, Egypt, and the Islamic world, as well as Venetian glass from the fourteenth and fifteenth centuries as appropriate ideals for emulation. The movement toward ancient and early Venetian glass quickly gained popularity, since it also appealed to revivalists and antiquarian collectors. The green glass of this vase demonstrates Dresser's appreciation for glass as an artistic medium as well as its fluid qualities. The ornamental aspects of the vase are found in its coloring and ribbed spiraling pattern, elements that are integrated into the material and form. Air bubbles, streaks of colors, and other irregularities were intentional, as they emphasized the organic nature of glass. Dresser began designing "art glass" for industrial manufacture around 1880. Called "Clutha" after the ancient name for the Scottish River Clyde, the range of glassware was trademarked in 1888 by the glass manufacturer James Couper & Sons of Glasgow and retailed through Liberty's in London into the 1890s.