瓶子 - 美国大都会艺术博物馆展品查阅

品名（中）	瓶子
品名（英）	Bottle
入馆年号	1996年，1996.94
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Christopher Dresser【1834 至 1904】【英国、苏格兰人】
创作年份	公元 1857 - 公元 1867
创作地区
分类	陶瓷-瓷器（Ceramics-Porcelain）
尺寸	高: 7 5/8 英寸 (19.4 厘米)
介绍（中）	白色地面上橙色滚动交错的叶子的中心图案与金色边缘让人想起陶瓷上常见的伊斯兰装饰图案。瓶子颈部和碗下方的垂直设计模仿了银制中空器皿上常见的凹槽和凹槽。花瓶的球状形状，高而窄的脖子，灵感来自波斯和中国的例子。归因于克里斯托弗·德莱瑟（1834-1904），花瓶的装饰方案遵循他的想法，即"装饰品必须倾向于强调物体的美丽品质，而不是破坏形式。到1860年代初，德莱瑟作为自由设计师在明顿工厂工作，他在该公司的早期工作经常受到波斯例子的启发。其中一些设计在明顿在伦敦国际博览会（1862年）的展览中展出。风格化的几何图案让人想起中东的来源，以及花瓶上装饰品的整体组织，与德莱塞在他的《装饰设计原理》（1873 年）中支持的良好设计理论一致，这与欧文琼斯的想法相呼应。两人都认为，当自然界中发现的物体被用作装饰图案时，应该以常规方式描绘或扁平化，而不是模仿模型。德莱瑟还欣赏与波斯装饰相关的交错图案的抽象和复杂性。
介绍（英）	The central pattern of scrolling interlaced foliage in orange edged in gold on a white ground harkens back to Islamic decorative motifs frequently found on ceramics. The vertical designs on the neck and under the bowl of the bottle are in imitation of fluting and gadrooning frequently found on silver hollowware. The bulbous shape of the vase, with a tall, narrow neck, takes its inspiration from Persian and Chinese examples. Attributed to Christopher Dresser (1834–1904), the vase's decorative scheme follows his idea that "the ornament must tend to emphasise [sic] the beautiful quality of the object and not destroy the form." By the early 1860s, Dresser was working for the Minton factory as a freelance designer and his early work for the company was often inspired by Persian examples. Some of these designs were presented in Minton's display at the International Exhibition, London (1862). The stylized geometric motifs recalling Middle Eastern sources, as well as the overall organization of ornament on the vase, are in accord with Dresser's theories on good design as espoused in his Principles of Decorative Design (1873), which echoed the ideas of Owen Jones. Both believed that when an object found in nature is used as a decorative motif ,it should be depicted conventionally, or flattened, rather than in imitation of the model. Dresser also admired the abstraction and intricacy of interlaced patterns associated with Persian ornament.