墨水架 - 美国大都会艺术博物馆展品查阅

品名（中）	墨水架
品名（英）	Inkstand
入馆年号	1997年，1997.151.1a, b–.4
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Francesco Ladatte【1706 至 1787】【意大利人】
创作年份	公元 1748 - 公元 1758
创作地区
分类	金属制品银（Metalwork-Silver）
尺寸	整体: 6 × 13 英寸 (15.2 × 33 厘米)
介绍（中）	宝诗龙以精湛的螺旋卷轴演绎，诠释了都灵洛可可风格的法式特色。虽然我们的墨台更加坚固耐用，但让人想起宫廷银匠托马斯·日耳曼（Thomas Germain）于1746-47年在巴黎制造的墨台。宝诗龙可能知道这件作品，因为据说他在1730年代曾在日耳曼的工作室接受训练，并在后来的一幅肖像中展出，周围环绕着日耳曼的银器。然而，博物馆墨台的实际模型不一定是宝诗龙的，很可能是他的同胞弗朗切斯科·拉达特（Francesco Latatte，1706-1787）的创作，他在1744年返回都灵之前曾在巴黎担任设计师和雕塑家。两位艺术家都曾为萨沃伊宫廷工作——拉达特担任雕塑家，宝诗龙担任银匠——众所周知，他们至少合作过一次。我们的作品注定要进入宫廷，这从钟下方看台上刻的萨沃伊家族的徽章中可以明显看出。据推测，这是宝诗龙为王室制作的众多墨台之一。
介绍（英）	In this virtuosic execution of spiraling scrolls Boucheron has defined the French-oriented character of the Rococo style in Turin. Although more solid and robust, our inkstand recalls one made in Paris in 1746–47 by the court silversmith Thomas Germain. Boucheron may have known this piece, as he is said to have trained in Germain's studio in the 1730s and is shown in a later portrait surrounded by examples of Germain's silver. The actual model of the Museum's inkstand is not necessarily Boucheron's, however, and may well have been the creation of his compatriot Francesco Ladatte (1706–1787), who had practiced as a designer and sculptor in Paris before returning to Turin in 1744. Both artists worked for the court of Savoy—Ladatte as sculptor, Boucheron as silversmith—and they are known to have collaborated on at least one occasion. That our piece was destined for the court is evident from the coat of arms of the House of Savoy engraved on the stand beneath the bell. It is presumably one of the many inkstands Boucheron is recorded as having made for the royal family.