荒野中的圣杰罗姆 - 美国大都会艺术博物馆展品查阅

品名（中）	荒野中的圣杰罗姆
品名（英）	Saint Jerome in the Wilderness
入馆年号	2001年，2001.593
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Antonio Rossellino【1427 至 1479】【意大利人】
创作年份	公元 1465 - 公元 1475
创作地区
分类	雕塑（Sculpture）
尺寸	整体 (confirmed): 16 5/8 × 15 1/4 × 2 7/8 英寸, 31 磅 (42.2 × 38.7 × 7.3 厘米, 14.0615kg)
介绍（中）	隐士学者圣杰罗姆在人文主义的佛罗伦萨特别受人尊敬。在这里，他跪在一个十字架前，他的红衣主教的帽子在他的脚边。一条小溪，生命之水，从十字架下流过，这里居住着各种象征性的生物。舞台象征着对救赎的渴望（诗篇第42篇）。松鼠代表耐力或寻找神性。圣杰罗姆治愈了狮子的爪子，后面跟着一只母狮；它们可能象征着永恒，也象征着圣人所面临的危险——当然是右下角的文的含义。这只骆驼暗指杰罗姆在野外对人类的唯一一瞥，偶尔是骆驼司机安东尼奥·罗塞利诺的传统归属必须修改。天真但巧妙的植物和动物、钻孔和大气的舞台在贝内代托最早的作品中找到了完美的对应物：法恩扎大教堂圣萨维努斯神殿的大理石浮雕（1468–71），尤其是他的视觉场景，我们的杰罗姆的起点。在这两种情况下，贝内德托都放弃了同行们一直关注的线性视角，转而采用更大的连续体。溢出底部边缘的前景来源于洛伦佐·吉贝尔蒂为佛罗伦萨浸礼会创作的《天堂之门》浮雕。
介绍（英）	The hermit-scholar Saint Jerome was particularly venerated in humanist Florence. Here, he kneels before a cruficifx, his cardinal's hat at his feet. A stream, the water of life, flows from beneath the crucifix in a landscape inhabited by various symbolic creatures. The stage signifies thirst for salvation (Psalm 42). The squirrel stand for endurace or the search for divinity. The lion, whose paw Saint Jerome healed, is followed by a lioness; they may symbolize constancy and also the dangers that the saint faced - certainly the meaning of the wyvern at bottom right. The camel alludes to Jerome's only glimpse of humanity in the wilds, the occasional camel driver. The traditional attribution to Antonio Rossellino has to be revised. The naive but felicitous plants and animals, the drill work, and the atmospheric staging find perfect counterparts in the earliest works believed to be by Benedetto: marble reliefs (1468–71) for the shrine of Saint Savinus in Faenza Cathedral, particularly a scene of his vision, the starting point of our Jerome. In both, Benedetto abandoned the linear perspective that had preoccupied his peers in favor of an arier continuum. The foreground spilling over the bottom edge derives from the reliefs of Lorenzo Ghiberti's "Gates of Paradise" for the Florence Baptistry.