蜥蜴 - 美国大都会艺术博物馆展品查阅

品名（中）	蜥蜴
品名（英）	Lizard
入馆年号	2003年，2003.280
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Emmanuel Frémiet【1824 至 1910】【法国人】
创作年份	公元 1882 - 公元 1892
创作地区
分类	雕塑（Sculpture）
尺寸	整体: 23 5/8 × 29 7/8 × 12 1/4 英寸 (60 × 75.9 × 31.1 厘米)
介绍（中）	这件想象中的动物陶瓷雕塑是两次不同寻常的创造性合作的产物：第一次是雕塑家伊曼纽尔·弗雷米特和建筑师维奥莱·勒·杜克之间的合作，第二次是弗雷米特和陶艺家埃米尔·穆勒之间的合作。在1870年代早期，弗雷米特为中世纪的皮埃尔丰德城堡提供了四种奇妙生物的石膏模型，维奥莱·勒·杜克正在为拿破仑三世修复这些城堡。Viollet-le-Duc的修复旨在体现被毁坏的封建城堡的精神，而Frémiet为Pierrefonds设计的雕塑故意唤起了高度浪漫化的中世纪过去。这四只石膏动物在 i88 年代中期被雕刻在石头上;几年后，弗雷米特安排穆勒的陶瓷工厂La Grande Tuilerie用粗陶器铸造动物。在铸造粗陶版本中，弗雷米特和穆勒能够通过使用铜基釉料引入颜色。斑驳的浓郁红色和绿松石色釉料是釉料烧制氧化的结果，并且有意寻找和重视颜色的变化。粗陶动物显然生产的数量非常有限。这种动物的编号为I，是已知该模型仅有的两个例子之一。
介绍（英）	This ceramic sculpture of an imaginary animal is the product of two unusual and creative collaborations: the first between the sculptor Emmanuel Frémiet and the architect Viollet le-Duc, and the second between Frémiet and the ceramist Emile Muller. In the early 1870s Frémiet supplied plaster models of four fantastic creatures for the medieval château of Pierrefonds, which Viollet-le-Duc was restoring for Napoleon III. Viollet-le-Duc's restorations were intended to embody the spirit of the ruined feudal castle, and Frémiet's sculptures for Pierrefonds deliberately evoked a highly romanticized medieval past. The four plaster animals were carved in stone in the mid-i88os; several years later Frémiet arranged for Muller's ceramic factory, La Grande Tuilerie, to cast the animals in stoneware. In the cast stoneware versions Frémiet and Muller were able to introduce color through the use of copper-based glazes. The mottled rich red and turquoise glaze was the result of oxidation in the glaze firing, and the variations in the coloration were deliberately sought and valued. The stoneware animals apparently were produced in very limited quantities. This animal is numbered I and is one of only two examples of this model known.