沙拉 - 美国大都会艺术博物馆展品查阅

品名（中）	沙拉
品名（英）	Sallet
入馆年号	1904年，04.3.229
策展部门	武器和盔甲（Arms and Armor）
创作者	Adrian Treytz the Elder【1448 至 1517】【奥地利人】
创作年份	公元 1455 - 公元 1505
创作地区	原产国: 奥地利, 因斯布鲁克（Country of Origin: Austria, Innsbruck）
分类	头盔（Helmets）
尺寸	高 9 3/4 英寸 (24.8 厘米); 宽 11 1/2 英寸 (29.2 厘米); 深 14 5/8 英寸 (37.1 厘米); 重 6 磅 2 盎司 (2778 g)
介绍（中）	高高的圆顶头盔碗有一个尖锐的中央脊；在前面，眼缝被切割到突出边缘上方的凹陷中；在后面，这个边缘被扫成一个尖锐的点。九个大的星形铆钉和两个小的铆钉固定着头盔的内衬。盔甲师的标记（带马蹄铁和新月形的盾牌）印在中央山脊左右两侧的头盔前部 Sallets是15世纪使用的两种基本头盔之一。与完全包围头部的另一种武装（参见第49.163.4号法规）相比，它们的限制性较小，因此它们更受轻骑兵甚至步兵的青睐。当武装人员不在行动时，他把背心向后推，这样他的脸就完全自由了，可以更好地通风和呼吸。战斗时穿的背心从脸上拉下，战士从眼睛缝里窥视。然而，sallet的边缘只部分覆盖了面部，为了保护下巴和颈部，一种特殊的防御元素bevor被固定在胸甲的上部，并通过骑士脖子上的带子固定在适当的位置。有些头盔有可移动的护目镜，可以升起，而不是将整个头盔向后推；这种带帽檐的沙莱最著名的铭文可能是阿尔布雷希特·丢勒（Albrecht Dürer）于1513年雕刻的《骑士、死亡与魔鬼》（Knight，Death，and the Devil）。因斯布鲁克大师约格·特雷茨（活跃于1466–99年）有一个非常相似的标记，马蹄铁上有一个哥特式字母I（表示Jörg，George）。马蹄铁是一个受欢迎的商店标志，适用于所有的钢铁工人，如铁匠和蹄铁匠。
介绍（英）	The high-domed helmet bowl has a sharp central ridge; in front the eye slit is cut into the recess above the protruding rim; in back this rim is swept into a sharp point. Nine large star-shaped rivets and two small ones secure the lining of the helmet. An armorer's mark (shield with a horseshoe and a crescent) is stamped at the front of the helmet to the left and right of the central ridge. Sallets were one of the two basic types of helmets in use during the fifteenth century. They were less confining than the other type, the armet (see acc. no. 49.163.4), which enclosed the head completely, and for this reason they were preferred by light cavalrymen and even foot soldiers. When the man-at-arms was not in action, he wore his sallet pushed back, which left his face entirely free and allowed him better ventilation and easier breathing. The sallet worn in fighting position was pulled down over the face, with the fighter peering through the eye slit. However, the rim of the sallet covered the face only partially, and for the protection of chin and neck a special defense element, the bevor, was attached to the upper part of the breastplate and kept in position by a strap around the knight's neck. Some sallets have movable visors, which could be raised instead of pushing the entire helmet back; probably the most famous preresentation of such a visored sallet is Albrecht Dürer's engraving Knight, Death, and the Devil, 1513 (acc. no. 42.160.2). The shield-shaped armorer's mark with a horseshoe and a small crescent is attributed by Bruno Thomas to Adrian Treytz the Elder of Innsbruck in the Tyrol. The Innsbruck master Jörg Treytz (active 1466–99) had a very similar mark with a horseshoe enclosing a Gothic letter I (for Jörg, George). The horseshoe was a popular shop sign for all workers in iron, such as blacksmiths and farriers.