十字架 - 美国大都会艺术博物馆展品查阅

品名（中）	十字架
品名（英）	The Crucifixion
入馆年号	1941年，41.190.136
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Bernard van Orley【1492 至 1542】【荷兰人】
创作年份	公元 1510 - 公元 1530
创作地区
分类	纺织品挂毯（Textiles-Tapestries）
尺寸	整体 (confirmed 11/13/07): 98 1/2 x 100 3/4 英寸 (250.2 x 255.9 厘米); 整体 (unknown date): 99 x 98 英寸 (251.5 x 248.9 厘米); Slat: 100” x 3 ½” x 1” with Velcro/webbing, security straps
介绍（中）	随着被钉十字架的基督锚定了构图，一群天使充满了动荡的天空，手里拿着激情的象征。下面，福音派的约翰从左边大步走了进来；右边是抹大拉的玛丽，穿着华丽，符合人们对她改造后的妓女的看法，她优雅地皱着眉头，悲痛万分。圣母玛利亚也在哭泣，她凝视着自己的儿子，第三个神圣的女人，可能是克利奥波的玛丽，拥抱着十字架。挂毯设计的绘画细节延伸到了细致观察到的背景景观，在背景景观中，可以在中心场景的两侧瞥见十字架和埋葬的包围情节。为此，技艺精湛的织锦师们，显然正处于他们职业的巅峰，带来了一种在烛光下闪闪发光的物质奢华，使这幅织锦跻身于这一时期最富有的幸存者之列。
介绍（英）	With the crucified Christ anchoring the composition, a host of angels fills a turbulent sky, holding the symbols of the Passion. Below, John the Evangelist strides in from the left; at the right, Mary Magdalene, richly-dressed fitting to the popular perception of her as a reformed courtesan, elegantly crumples forward with hand-wringing grief. Also weeping, the Virgin Mary gazes up at her son, and a third holy woman, possibly Mary of Cleophas, embraces the cross. The painterly detail of the tapestry’s design extends to the minutely observed background landscape, in which the bracketing episodes of the carrying of the cross and the entombment can be glimpsed flanking the central scene. To this the virtuoso tapestry-weavers, clearly at the pinnacle of their profession, have brought a material sumptuousness which would have glimmered in the candlelight and which serve to rank this tapestry amongst the richest survivals of the period.