后视镜框架 - 美国大都会艺术博物馆展品查阅

品名（中）	后视镜框架
品名（英）	Mirror frame
入馆年号	1964年，64.101.1332
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者
创作年份	公元 1650 - 公元 1675
创作地区
分类	刺绣纺织品（Textiles-Embroidered）
尺寸	高 23 3/4 x 宽 19 1/2 英寸 (60.3 x 49.5 厘米)
介绍（中）	本世纪下半叶，英国家用玻璃生产的进步与凸起刺绣的流行相吻合，并导致了17世纪一些最引人注目的刺绣家居用品的生产这个例子中刺绣的三维性和材料的创造性使用令人印象深刻。孔雀的尾羽是由真实的鸟类羽毛碎片制成的，鱼塘周围的洞穴里有微小的贝壳和珊瑚碎片，朝臣夫妇的服装包括真实的蕾丝装饰和珍珠籽等细节这面镜子的装饰指的是婚姻的结合，象征着镜子玻璃两侧的一对夫妇，他们上方的两座庄园，以及镜子顶部一个年轻女子弹奏琵琶的和谐形象。纹章狮子和豹子表明主人是一位忠诚的保皇派，因为这些动物也出现在皇家纹章上。
介绍（英）	Improvements in English domestic glass production in the second half of the century coincided with the fashion for raised-work embroidery and resulted in the production of some of the most spectacular examples of embroidered household furnishings of the seventeenth century. The three-dimensionality of the embroidery and the creative use of materials on this example are very impressive. The tail feathers of the peacock are created from fragments of actual bird feathers, there are tiny shells and bits of coral in the grotto surrounding the fish pond, and the costumes of the courting couple include details such as real lace trimmings and seed pearls. The decoration of this mirror refers to a marital union, symbolized by the couple flanking the mirror glass, the two manor houses above them, and the figure of Harmony, in the guise of a young woman playing a lute, at the top of the mirror. The heraldic lion and leopard suggest that the owner was a loyal Royalist, as these animals appear on the royal coat of arms as well.