带盖子的花瓶（旅行中的花瓶）（一对之一） - 美国大都会艺术博物馆展品查阅

品名（中）	带盖子的花瓶（旅行中的花瓶）（一对之一）
品名（英）	Vase with cover (Vase en tour) (one of a pair)
入馆年号	1956年，56.80.2a–c
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Sèvres Manufactory【1740 至现在】【法国人】
创作年份	公元 1758 - 公元 1768
创作地区
分类	陶瓷-瓷器（Ceramics-Porcelain）
尺寸	整体 (confirmed): 高 20 1/8 x 宽 8 1/4 x 深 7 7/8 英寸 (51.1 x 21 x 20-20.5 厘米); 高 on gilt bronze base: 22 3/16 英寸 (56.4 厘米); 直径 7 3/4 英寸
介绍（中）	由于餐饮或茶饮服务的功能性，这些有用的商品的型号在塞夫尔很少改变。此外，从经济角度来看，不断为这些服务的所有组成部分创造新的形式是不可行的。然而，对于花瓶等装饰性物品，通常是成对制作的，或是形成一套装饰品（一套三件或五件），工厂不仅能够快速应对不断变化的时尚，而且能够展示其突破陶瓷设计界限的能力这些引人注目的花瓶呈加固塔的形状，顶部环绕着扶壁。小镀金瓷炮从扶壁下面延伸出来，盖子被做成带有老虎窗的高圆顶，最后是一个圆顶。尸体上绘有战争战利品，由与军事活动相关的各种元素组成。这幅画异常精细和细致，表明这些花瓶可能是为特定的人定制的。然而，工厂1770年未售出库存清单中的精确描述表明，他们既没有找到买家，也没有作为礼物赠送。尽管它们的早期历史尚不清楚，但这些花瓶反映了塞夫尔工厂对创造非凡物品的兴趣，这在陶瓷媒介中是没有先例的。
介绍（英）	Because of the functional nature of services made for dining or for tea, the models of these useful wares changed infrequently at Sèvres. In addition, it was not feasible from an economic standpoint to constantly invent new forms for all of the components of these services. However, for decorative objects such as vases, usually made in pairs or to form a garniture (a set of three or five), the factory was able not only to respond quickly to changing fashions, but also to demonstrate its ability to push the boundaries of ceramic design. These remarkable vases are in the shape of a fortified tower, with buttresses encircling the top of the body. Small gilt-porcelain cannons extend from underneath the buttresses, the lids are formed as high domes with dormer windows, and a cupola serves as the finial. The body is painted with trophies of war, composed of various elements associated with military campaigns. The painting is both unusually fine and detailed, suggesting that the vases may have been commissioned for a specific person. However, a precise description in the factory’s list of unsold stock in 1770 indicates that they had neither found a buyer nor been given as a gift. Although their early history is unknown, the vases reflect the Sèvres factory’s interest in the creation of extraordinary objects that had no precedent in the medium of ceramics.