人马座（黄道带弗里兹的一部分） - 美国大都会艺术博物馆展品查阅

品名（中）	人马座（黄道带弗里兹的一部分）
品名（英）	Sagittarius (section of a zodiac frieze)
入馆年号	2004年，2004.440.2
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者
创作年份	公元 1582
创作地区
分类	雕塑青铜（Sculpture-Bronze）
尺寸	整体 (confirmed): 7 × 8 3/4 × 2 1/4 英寸 (17.8 × 22.2 × 5.7 厘米)
介绍（中）	典型的威尼斯人是在这些雕带部分上舞蹈的穿孔场地。活跃于1500年至1520年的这一代威尼斯青铜雕塑家——亚历山德罗·利奥帕尔迪、维托雷·甘贝洛（被称为卡米利奥）和巴巴里戈浮雕大师——的浮雕更为蜿蜒优雅——现在的两位（另见《魔戒座》，2004.440.1）可能要晚一点，但仍然受到文艺复兴时期高标准的表达和组织的影响。它们所属的带非常大——根据黄道十二宫的这两个星座，最初的戒指直径为三十二到三十八英寸。它的作用只能推测。在射手座的左上角是一个微弱的铭文遗迹，大部分都被归档了。人们可以分辨出F.CITA0（缩写formai和anno）和数字的空格，其中最后一个可能是二。19世纪中期，在布达佩斯传说中的Fejérváry Pulszky收藏中首次记录到这些碎片时，据说这些碎片起源于古罗马。为了支持这一观点，有人竭尽全力销毁了铭文中相互矛盾的证据。
介绍（英）	Typically Venetian are the punched grounds against which the forms dance on these frieze sections. More sinuously elegant than reliefs by leading Venetian bronze sculptors of the generation active about 1500–1520—Alessandro Leopardi, Vittore Gambello (known as Camelio), and the Master of the Barbarigo Reliefs—the present two (see also Capricorn, 2004.440.1) may date slightly later but are still informed by High Renaissance standards of expression and orga nization. The band to which they belonged was exceptionally large—on the basis of these two of the zodiac's twelve signs, the original ring has been projected at thirty-two to thirty-eight inches in diameter. Its function can only be surmised. At Sagittarius's top left are faint remains of an inscription, which is mostly filed away. One can discern F. CITA0 (abbreviations formai and anno) and a space for numerals, of which the last may be a two. When first recorded in the mid-nineteenth century, in the fabled Fejérváry-Pulszky collection in Budapest, the fragments were said to be of ancient Roman origin. Working in support of that idea, someone did his best to destroy the inscription's contradictory evidence.