所谓“斯塔恩伯格女圣人”的典范 - 美国大都会艺术博物馆展品查阅

品名（中）	所谓“斯塔恩伯格女圣人”的典范
品名（英）	Model for the so-called "Female Saint of Starnberg"
入馆年号	2008年，2008.28
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Ignaz Günther【1725 至 1775】【德国人】
创作年份	公元 1750 - 公元 1760
创作地区
分类	雕塑（Sculpture）
尺寸	整体 (confirmed): 高 8 1/8 x 宽 4 1/8 x 深 2 7/8 英寸 (20.6 x 10.5 x 7.3 厘米)
介绍（中）	著名的十八世纪慕尼黑宫廷雕塑家伊格纳兹·京瑟（Ignaz Günther）雕刻了这座迷人的小雕像。这是一个"bozetto"或工作模型，用于所谓的"施塔恩贝格女圣徒"的近乎真人大小的雕塑，其令人难以忘怀的作品被广泛认为是艺术家最具创新性和最凄美的人物发明之一。君特在他的"bozetto"中捕捉了主要的形式和体积以及构图的基本要素，就像画家使用素描一样。虽然模型的表面仍然是棱角分明的，细节也不均匀，但它的优雅和宫廷姿态预示着它变成了一个大人物。圣女身体的诱人扭曲，她戏剧化的动画服装在想象中的微风中荡漾，光影的玩弄与克制的狂喜光环形成鲜明对比。异想天开的雕塑口音，如coiffure，反映了Günther对媒介的卓越掌握。他将木质材料变成了天堂般的轻盈，更适合芭蕾舞演员而不是女性圣人。他的自然主义渲染反映了南德洛可可的最佳精神。
介绍（英）	The celebrated eighteenth-century Munich court sculptor Ignaz Günther carved this mesmerizing statuette. It is a "bozetto," or working model, for the nearly lifesize sculpture of the so-called "Female Saint of Starnberg," whose haunting composition was widely considered to be one of the artist's most innovative and poignant figural inventions. Günther captured the principal forms and volumes and the essential elements of the composition in his 'bozetto" in the same way a painter would use a sketch. Though the model's surface is still angular and the detailing is uneven, its elegance and courtly gesture presage its transformation into a large figure. The seductive twisting of the saint's body, her theatrically animated costume rippling in an imaginary breeze, and the play of light and shadow contrast dramatically with the aura of restrained ecstasy. Whimsical sculptural accents such as the coiffure reflect Günther's superior command of the medium. He has transformed the wood material into a précis of heavenly lightness more befitting a ballerina than a female saint. His naturalistic rendering reflects the spirit of South German Rococo at its very best.