风景中的猎人 - 美国大都会艺术博物馆展品查阅

品名（中）	风景中的猎人
品名（英）	Hunters in a Landscape
入馆年号	2009年，2009.280
策展部门	欧洲雕塑和装饰艺术（European Sculpture and Decorative Arts）
创作者	Anonymous, 16th century【1500 至 1600】
创作年份	公元 1570 - 公元 1600
创作地区
分类	纺织品挂毯（Textiles-Tapestries）
尺寸	高 70 7/8 x 宽 181 7/8 英寸 (180 x 462 厘米); Weight (rolled on tube): 38磅 (17.2367kg)
介绍（中）	这种极为罕见的悬挂将保存完好的调色板与独特的细长墙裙挂毯形式结合在一起。在当时被佛兰德编织者称为"英国时尚"的风格中，它被悬挂在一个木板房的檐口和护墙板之间。这幅挂毯在风格、图像和技术上都归功于佛兰德移民编织者，他们通过迁移到英国（可能是伦敦）来躲避那个时代的宗教动荡在良好的条件下，这是一个特别吸引人的例子，展示了这个迷人的、最近才研究过的来自佛兰德斯的编织者的作品。挂毯以其编织者在构建光和投射阴影的形式和效果时对色彩的显著使用而闻名。田园诗般的风景将田园放松的景色与狩猎场景形成对比，狩猎场景位于一座中央护城河建筑的两侧。挂毯卡通的元素巧妙地围绕着一个可重复使用的设计来源进行了组合，代表了环境对这些编织者的要求，而不是从全新的设计中工作：中央庄园的灵感来源于瑞士艺术家约斯特·安曼代表所罗门王宫的木刻。
介绍（英）	This extremely rare hanging combines an exquisitely well-preserved palette with the distinctive long and narrow format of a wainscot tapestry. In a style referred to by Flemish weavers at the time as "English fashion", it was intended to hang between the cornice and the dado of a wood-paneled room. The tapestry is attributed on stylistic, iconographic and technical grounds to Flemish immigrant weavers who sought refuge from the religious tumult of the era by relocating to England, probably London. In excellent condition, it is a particularly engaging example of the output of this fascinating and only recently studied diaspora of weavers from Flanders. The tapestry is notable for its weavers' remarkable use of color in the construction of forms and effects of light and cast shadow. The idyllic landscape contrasts vistas of pastoral relaxation with a hunting scene, flanking a central moated building. Representative of the magpie spirit which circumstances demanded of these weavers, rather than working from a brand new design, the elements of the tapestry cartoon have been artfully assembled around a reused design source: the central manor house takes its inspiration from a woodcut representing King Solomon's Palace by the Swiss artist, Jost Amman.