阿佛洛狄忒手持羽翼爱神的石灰石雕像 - 美国大都会艺术博物馆展品查阅

品名（中）	阿佛洛狄忒手持羽翼爱神的石灰石雕像
品名（英）	Limestone statue of Aphrodite holding winged Eros
入馆年号	1874年，74.51.2464
策展部门	希腊和罗马艺术（Greek and Roman Art）
创作者
创作年份	公元前 330 - 公元前 300
创作地区
分类	石雕（Stone Sculpture）
尺寸	Webpub GR 2012 Cesnola: 49 3/4 英寸 (126.4 厘米) 宽: 27 × 10 英寸 (68.6 厘米)
介绍（中）	从公元前八世纪起，希腊诗人就将阿佛洛狄忒女神与塞浦路斯联系在一起，但在塞浦路斯岛上，当地的大女神直到公元前四世纪才与阿佛洛狄特同化，当时引入了对许多希腊神的崇拜。在这幅作品中，女神的儿子爱神厄洛斯（Eros）坐在她的肩膀上，这个小人物清楚地表明了她就是阿佛洛狄忒。塞浦路斯人并没有采用传统的希腊方式来代表阿佛洛狄特，而是将他们自己对岛上伟大女神的肖像画转移到了阿佛洛狄特的图像上。公元前九世纪至六世纪，塞浦路斯大女神的形象受到东方艺术的启发，尤其是锡罗腓尼基女神阿斯塔特的裸体形象。从五世纪开始，当地的女神戴着一顶饰有植物和花卉图案的高圆形头饰，这与生育女神相称。在这里，阿佛洛狄忒戴着这样一顶饰有棕榈叶的王冠，棕榈叶与裸体女性交替出现，让人想起了阿斯塔特的形象。她的长发披在肩上，这是从早期希腊雕塑中提取的图案，她戴着一件在头饰后面拉起himation（斗篷）的chiton。
介绍（英）	From the eighth century B.C. the Greek poets associated the goddess Aphrodite with Cyprus, but on the island itself the local Great Goddess did not become assimilated with Aphrodite until the fourth century B.C., when the worship of many Greek divinities was introduced. In this work the goddess is clearly identified as Aphrodite by the small figure of her son Eros, winged god of love, who perches on her shoulder. The Cypriots did not adopt a conventional Greek way to represent Aphrodite but transferred their own iconography for the Great Goddess of the island to their images of Aphrodite. From the ninth to the sixth century B.C. images of the Cypriot Great Goddess were inspired by Eastern art, especially that of the Syro-Phoenician goddess Astarte, who appeared nude. From the fifth century the local goddess was shown with a high round headdress decorated with vegetal and floral motifs, as befits a fertility goddess. Here Aphrodite wears such a crown decorated with palmettes alternating with nude females—recalling the figures of Astarte. She has long locks falling over her shoulders, a motif taken from early Greek sculpture, and she wears a chiton with himation (cloak) drawn up over the back of the headdress.