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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)手臂
品名(英)Armet
入馆年号1949年,49.163.4
策展部门武器和盔甲Arms and Armor
创作者
创作年份公元 1465 - 公元 1515
创作地区原产国: 意大利(Country of Origin: Italy)
分类头盔(Helmets)
尺寸高 10 5/8 英寸 (27 厘米); 宽 8 1/2 英寸 (21.6 厘米); 深 12 7/16 英寸 (31.6 厘米); 重 7 磅 1 盎司 (3217 g)
介绍(中)armet一词通常用于表示一种特殊结构的带面罩的头盔,其中大的颧骨铰接在耳朵上方的碗状物底座上,靠近下巴。面部开口形成在碗边缘和颧骨边缘之间的空间中,该区域由铰链连接到碗两侧枢轴的短而尖的面罩封闭和保护。遮阳板的右侧有一个通风槽和孔,并有一个升降栓。帽檐的另外两个共同特征是,铆接在碗前部的尖头眉骨加强件,以及通过短杆连接在头盔后部碗底部的圆形板(rondel)。除了rondel和stem是修复体外,这个armet是完全同质的。它最初的外观包括一个用铆钉固定在头盔最下边缘的类似窗帘的邮件流苏,以及几个被称为bevor或wrapper的板,它们安装在手臂的前部,以加固面部和颈部的下部。贝弗是由带子连接的,带子绕过手臂,在背部弯曲,刚好在将带子固定到位的裙带茎的上方。梳子顶部的钥匙孔形状的槽最初用来支撑曾经覆盖在头盔上的装饰性或纹章徽章

在整个十五世纪的大部分时间里,armet是全副武装的骑士的典型头饰,其光滑、紧凑、圆形的外形代表了十五世纪意大利盔甲的流线型外观。手臂的紧密贴合的形状使其高度实用和巧妙的结构成为必要,奶酪块铰接在打开以容纳头部的碗上。导致钢板重叠的脆弱区域,特别是下巴前部和面罩边缘(顺便说一句,面罩没有固定在颧骨上,只是靠自身重量固定),通过增加适合头盔前下半部分的帽檐来保护。贝弗还保护着脖子的前部,否则脖子会被盔甲下面穿的一件背心的领子和从手臂边缘悬挂的背心流苏覆盖。遮阳板上的通风孔只在右侧,因此通常首当其冲的暴露在外的左侧不会被削弱

在其漫长的使用过程中,armet在设计上经历了逐渐的变化,这个特殊的例子可以追溯到这一发展的末期,大约1490年。将此armet作为一个晚期例子加以区分的特征包括发音为comb;大而尖的眉骨覆盖了一半以上的头骨,它的下边缘覆盖了颧骨的铰链,前边缘覆盖了眼睛;遮阳板的形状;以及大的倒半圆面开口

遮阳板右侧的穿孔通风孔对意大利武装人员来说是不寻常的,但在被认为是佛兰德血统的武装人员和英国教堂中发现的一组武装人员身上都有发现,例如约克郡的贝弗利明斯特、剑桥郡的伊斯勒姆和萨福克郡的霍斯特德。除了护目镜之外,这些武装装备与意大利同行非常相似,因此无法确定它们是在意大利制造的,用于出口到北方,还是在英国或佛兰德斯当地制造的,与意大利模型紧密复制。
介绍(英)The term armet is generally used to denote a visored helmet of particular construction, one in which large cheekpieces are hinged to the base of the bowl just above the ears and close in front of the chin. The face opening is formed in the space between the rim of the bowl and the edges of the cheekpieces, an area closed and protected by a short, pointed visor hinged to pivots on either side of the bowl. The right side of the visor is pierced with a slot and holes for ventilation, and has a lifting peg. A cusped brow reinforce riveted to the front of the bowl, and a circular plate (rondel) attached by a short stem to the base of the bowl at the rear of the helmet are two other features common to the armet. Apart from the rondel and stem, which are restorations, this armet is entirely homogeneous. Its original appearance would have included a protective curtain-like mail fringe attached by rivets to the lowermost edge of the helmet, and several plates known as a bevor, or wrapper, which fit over the front of the armet to reinforce the lower face and neck regions. The bevor was attached by straps reaching around the armet and buckling at the back, just above the stem of the rondel which held the strap securely in place. The keyhole-shaped slot at the top of the comb originally held the support for a decorative or heraldic crest which once surmounted the helmet.

The armet was the typical head piece of the fully armored equestrian knight throughout most of the fifteenth century, and its smooth, compact, rounded form typifies the streamlined appearance of fifteenth-century Italian armor in general. The armet's close-fitting form necessitated its highly practical and ingenious construction, with cheeckpieces hinged to the bowl that opened to admit the head. The vulnerable areas that resulted where plates overlapped, particularly at the front of the chin and along the edge of the visor (which, incidentally, was not fastened closed to the cheekpieces but was merely held down by its own weight), were protected by the addition of the bevor that fit over the lower front half of the helmet. The bevor also protected the front of the neck, which was otherwise covered by the collar of a mail shirt worn underneath the armor and by the mail fringe suspended from the edge of the armet. The ventilation holes in the visor are only on the right side, so that the more exposed left side, which usually bore the brunt of blows, was not weakened.

Throughout its long use, the armet underwent gradual changes in design, and this particular example can be dated toward the end of this development, about 1490. Features which distinguish this armet as a late example include the pronounced comb; the large cusped brow reinforce which covers more than half the skull, its lower edges turned out to cover the hinges of the cheekpieces and its front edge turned out over the eyes; the shape of the visor; and the large inverted semicircular face opening.

The pierced ventilation openings on the right side of the visor are unusual for Italian armets but are found on armets believed to be of Flemish origin and on a group of armets found in English churches, such as those at Beverley Minster, Yorkshire, at Isleham, Cambridgeshire, and Hawstead, Suffolk. Apart from the visors, these armets are so similar to their Italian counterparts that it is impossible to determine if they were made in Italy for export to the north, or if they were made locally in England or Flanders, closely copied from Italian models.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。