科米尼亚堤喀的大理石葬坛 - 美国大都会艺术博物馆展品查阅

品名（中）	科米尼亚堤喀的大理石葬坛
品名（英）	Marble funerary altar of Cominia Tyche
入馆年号	1938年，38.27
策展部门	希腊和罗马艺术（Greek and Roman Art）
创作者
创作年份	公元 90 - 公元 100
创作地区
分类	石雕（Stone Sculpture）
尺寸	高 40 英寸 (101.6 厘米)
介绍（中）	这个女人的名字从肖像下面的铭文中得知，上面写着："致死者的灵魂。致最圣洁的科米尼亚·蒂奇，他最贞洁、最慈爱的妻子，[来自]卢修斯·安尼乌斯·费斯图斯。[她]去世时年仅二十七岁零十一个月零二十八天。也为了他自己和他的后代。众所周知，这个cippus或墓坛在十六世纪出现在罗马广场附近的一所房子里。它在十七世纪进入红衣主教弗朗切斯科·巴贝里尼的收藏。纪念碑侧面的水壶和patera（解放盘）暗示了古代倒液体作为纪念行为的常见做法，在这种情况下，让人想起在墓地边放置鲜花的现代传统。除了引人注目的肖像和科米尼亚晚期弗拉维安或早期图拉真风格的巨大发型外，葬礼祭坛的铭文提供了关于她的年龄和性格的细节，以及她丈夫表达的失落感。在以月、日和年的形式给出她死亡时的确切年龄时，这意味着她的出生日期已被记录在案，并且她悲伤的丈夫知道。
介绍（英）	This woman's name is known from the inscription below the portrait which reads: "To the spirits of the dead. To the most saintly Cominia Tyche, his most chaste and loving wife, [from] Lucius Annius Festus. [She] died at the age of twenty-seven years, eleven months, twenty-eight days. Also for himself and for his descendants." This cippus, or grave altar, is known to have been in a house near the Roman forum in the sixteenth century. It entered the collection of Cardinal Francesco Barberini during the seventeenth century. The jug and patera (libation dish) on the monument's sides allude to the common practice in antiquity of pouring liquids as an act of commemoration, in this instance recalling the modern tradition of placing flowers at the graveside. Apart from the arresting portrait with Cominia's massive hairdo of a late Flavian or early Trajanic style, the funerary altar is remarkable for the details that the inscriptions provides about her age and character, and sense of loss expressed by her husband. In giving her exact age at death in terms of months and days as well as years, it implies that her date of birth had been recorded and was known to her grieving husband.