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美国纽约大都会艺术博物馆展品查阅
美国纽约大都会艺术博物馆展品查阅
美国大都会艺术博物馆中的24万件展品,图片展示以及中文和英文双语介绍(中文翻译仅供参考)
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品名(中)Terracotta caly krater(用于混合葡萄酒和水的碗)
品名(英)Terracotta calyx-krater (bowl for mixing wine and water)
入馆年号1952年,52.11.18
策展部门希腊和罗马艺术Greek and Roman Art
创作者
创作年份公元前 399 - 公元前 300
创作地区
分类花瓶(Vases)
尺寸高 19 9/16 英寸 (49.7 厘米)
介绍(中)正面,赫拉克勒斯的死亡和神化
反面,Amymone对萨蒂尔感到惊讶

赫拉克勒斯被妻子为了重振爱情而送给他的符咒可怕地烧伤了,他建造了一个火葬柴堆,并在上面自焚而死。在正面精心制作的场景中,他已经乘坐了一辆由耐克驾驶的四马战车,前面是赫尔墨斯,正在前往奥林波斯山的路上,狄奥尼索斯、阿波罗和战神在那里等着他。赫拉克勒斯在火上留下了一件胸衣,象征着他凡人的外壳。下图中,雅典娜敦促仙女们熄灭葬礼的柴堆。这些年轻人是赫拉克勒斯的侄子Iolaos,英雄Philoktetes(带着箭袋和弓),可能还有赫拉克勒s的儿子Hylos<反面的场景形成了轻松的对比。在萨蒂尔的包围下,Amymone正在用一个可用的thyrsos为自己辩护。她最终被波塞冬救了出来,波塞冬把她据为己有。一个以她的名字命名的泉水从上帝用三叉戟击打地面的地方涌出
水的力量清晰地连接着花瓶两侧的图案。
介绍(英)Obverse, the death and apotheosis of Herakles
Reverse, Amymone surprised by satyrs

Horribly burned by a charm that his wife gave him in a misguided attempt to revive his love, Herakles had a funeral pyre built and threw himself on it to die. In the elaborate scene on the obverse, he is already in a quadriga (four-horse chariot) driven by Nike and preceded by Hermes and is on the way to Mount Olympos, where Dionysos, Apollo, and Ares await him. Herakles leaves behind on the fire a corselet signifying the husk of his mortal self. Below, Athena urges nymphs to quench the funeral pyre. The youths are Herakles' nephew, Iolaos, the hero Philoktetes (with quiver and bow), and probably Herakles' son, Hylos.
The scene on the reverse is in rather light-hearted contrast. Beset by satyrs, Amymone is defending herself with an available thyrsos. She was finally rescued by Poseidon, who took her for himself. A spring, named after her, welled up where the god struck the ground with his trident.
The power of water clearly connects the representations on each side of the vase.
  大都会艺术博物馆,英文 Metropolitan Museum of Art,是美国最大的艺术博物馆,世界著名博物馆,位于美国纽约第五大道的82号大街。
  大都会博物馆回顾了人类自身的文明史的发展,与中国北京的故宫、英国伦敦的大英博物馆、法国巴黎的卢浮宫、俄罗斯圣彼得堡的艾尔米塔什博物馆并称为世界五大博物馆。